Apocalypse Now (Apocalypse Now / Apocalypse Now Redux / Hearts of Darkness) (Three-Disc Full Disclosure Edition) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Closed-captioned; Color; Dolby; DTS Surround Sound; Special Edition; Subtitled; Widescreen

Digitally remastered with 49 minutes of previously unseen footage, Apocalypse Now Redux is the reference standard of Francis Coppola's 1979 epic. A metaphorical hallucination of the Vietnam War, the film was reconstructed by Coppola and editor Walter Murch to enrich themes and clarify the ending. On that basis Redux is a qualified success, more coherent than the original while inviting the same accusations of directorial excess. The restored "French plantation" sequence adds ghostly resonance to the war's absurdity, and Willard's theft of Colonel Kurtz's beloved surfboard adds welcomed humor to the film's nightmarish upriver journey. An encounter with Playboy Playmates seems superfluous compared to the enhanced interplay between Willard ! and his ill-fated boat crew, but compensation arrives in the hellish Kurtz compound, where Willard's mission--and the performances of Martin Sheen and Marlon Brando--reach even greater heights of insanity, thus validating Redux as the rightful heir to Coppola's triumphantly rampant ambition. --Jeff Shannon APOCALYPSE NOW REDUX - DVD MovieApocalypse Now / Apocalypse Now: Redux
In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it were his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair, but from this insanity came one of the greatest films ever made. It began as a John Milius screenplay, transposing Joseph Conrad's classic story "Heart of Darkness" into the horrors of the Vietnam Wa! r, following a battle-weary Captain Willard (Martin Sheen) on ! a secret upriver mission to find and execute the renegade Colonel Kurtz (Marlon Brando), who has reverted to a state of murderous and mystical insanity. The journey is fraught with danger involving wartime action on epic and intimate scales. One measure of the film's awesome visceral impact is the number of sequences, images, and lines of dialogue that have literally burned themselves into our cinematic consciousness, from the Wagnerian strike of helicopter gunships on a Vietnamese village to the brutal murder of stowaways on a peasant sampan and the unflinching fearlessness of the surfing warrior Lieutenant Colonel Kilgore (Robert Duvall), who speaks lovingly of "the smell of napalm in the morning." Like Herzog's Aguirre: The Wrath of God, this film is the product of genius cast into a pit of hell and emerging, phoenix-like, in triumph. Coppola's obsession (effectively detailed in the riveting documentary Hearts of Darkness, directed by Coppola's wife, Eleanor) informs every! scene and every frame, and the result is a film for the ages. --Jeff Shannon

Hearts of Darkness
Hearts of Darkness is an engrossing, unwavering look back at Francis Coppola's chaotic, catastrophe-plagued Vietnam production, Apocalypse Now. Filled with juicy gossip and a wonderful behind-the-scenes look at the stressful world of moviemaking, the documentary mixes on-location home movies shot in the Philippines by Eleanor Coppola, the director's wife, with revealing interviews with the cast and crew, shot 10 years later. Similar to Burden of Dreams, Les Blank's absorbing portrait of Werner Herzog's struggle to make Fitzcarraldo, the film chronicles Coppola's eventual decent into obsessive psychosis as everything that could go wrong does go wrong. Storms destroy sets, money evaporates, the Philippine government continually harasses the director, Coppola has romantic affairs, and he can't write the story's ending. Everything is c! aptured on film. In the most disturbing scene, we watch Martin! Sheen h ave a drunken nervous breakdown while his director goads him on (he eventually suffered a heart attack, but finished the film).

Other incredible footage is not visual, but aural as the film includes tapes Eleanor Coppola recorded without Francis's knowledge. In them, he truly sounds like a madman as he confesses his fears about making a bomb of a movie. But while Hearts of Darkness is an amazing, voyeuristic experience, its importance lies in the personal reflections offered by those involved. Sheen, Coppola, and Dennis Hopper speak frankly without embarrassment, offering us an essential piece of film history. --Dave McCoyFrancis Ford Coppola's timeless classic comes to Blu-ray for the first time!

This 3-Disc Deluxe Edition includes Apocalypse Now and Apocalypse Now Redux in stunning new transfers supervised by Francis Ford Coppola - and presented for the first time in their original 2.35:1 theatrical aspect ratios. Also included is the feature-length! making-of documentary Hearts of Darkness, presented in a new 1080p HD transfer.

Additional features include a 48-page collectible booklet with never-before-seen archives from the set, over 9 hours of bonus features, plus a storyboard gallery, image galleries, marketing archives and an original script excerpt from John Milius featuring hand-written notes from Coppola.Apocalypse Now / Apocalypse Now: Redux
In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it were his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair, but from this insanity came one of the greatest films ever made. It began as a John Milius screenplay, transposing Joseph Conrad's classic story "Heart of Darkness" into the h! orrors of the Vietnam War, following a battle-weary Captain Wi! llard (M artin Sheen) on a secret upriver mission to find and execute the renegade Colonel Kurtz (Marlon Brando), who has reverted to a state of murderous and mystical insanity. The journey is fraught with danger involving wartime action on epic and intimate scales. One measure of the film's awesome visceral impact is the number of sequences, images, and lines of dialogue that have literally burned themselves into our cinematic consciousness, from the Wagnerian strike of helicopter gunships on a Vietnamese village to the brutal murder of stowaways on a peasant sampan and the unflinching fearlessness of the surfing warrior Lieutenant Colonel Kilgore (Robert Duvall), who speaks lovingly of "the smell of napalm in the morning." Like Herzog's Aguirre: The Wrath of God, this film is the product of genius cast into a pit of hell and emerging, phoenix-like, in triumph. Coppola's obsession (effectively detailed in the riveting documentary Hearts of Darkness, directed by Coppola's wife! , Eleanor) informs every scene and every frame, and the result is a film for the ages. --Jeff Shannon

Hearts of Darkness
Hearts of Darkness is an engrossing, unwavering look back at Francis Coppola's chaotic, catastrophe-plagued Vietnam production, Apocalypse Now. Filled with juicy gossip and a wonderful behind-the-scenes look at the stressful world of moviemaking, the documentary mixes on-location home movies shot in the Philippines by Eleanor Coppola, the director's wife, with revealing interviews with the cast and crew, shot 10 years later. Similar to Burden of Dreams, Les Blank's absorbing portrait of Werner Herzog's struggle to make Fitzcarraldo, the film chronicles Coppola's eventual decent into obsessive psychosis as everything that could go wrong does go wrong. Storms destroy sets, money evaporates, the Philippine government continually harasses the director, Coppola has romantic affairs, and he can't write the story's! ending. Everything is captured on film. In the most disturbin! g scene, we watch Martin Sheen have a drunken nervous breakdown while his director goads him on (he eventually suffered a heart attack, but finished the film).

Other incredible footage is not visual, but aural as the film includes tapes Eleanor Coppola recorded without Francis's knowledge. In them, he truly sounds like a madman as he confesses his fears about making a bomb of a movie. But while Hearts of Darkness is an amazing, voyeuristic experience, its importance lies in the personal reflections offered by those involved. Sheen, Coppola, and Dennis Hopper speak frankly without embarrassment, offering us an essential piece of film history. --Dave McCoy

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Aurora Borealis

• Ever since the premature death of his father, 25-year-old Minneapolis slacker Duncan (Joshua Jackson) is content with shuffling aimlessly through life, hanging out with his lifelong friends, and ditching one dead-end job after another. Duncan takes a job as a handyman in a high-rise that allows him to be near his gravely ill grandfather Ronald (Donald Sutherland), who's more than a handful

The stunning, prism-like look of the Swarovski Elements Crystal Aurora Borealis Large Rondelle Drop Earrings is magnified by the elegant, rondelle-shaped stones. Two large stones are aligned vertically and provide a glittering, dazzling look. The earrings are made from 925 sterling silver and feature sturdy, lever-back clasps. The elegant earrings are 1.8 inches long and frame your face. They can be worn for any special occasion or pair them with something simple to spruce up your everyday look.Electric g! reen pierced by neon blue, shocking pink spinning into violent red, and shimmering purple sidled up against deep indigo: never before have you seen such high-octane colors in the sky, and never before has a book shown the northern lights-aurora borealis-in such vivid color. In Northern Lights, photographers Calvin Hall and Daryl Pederson bring to print nearly a hundred photographs of this amazing natural phenomenon, shot from remote locations all over Alaska and using no filters or digital enhancement. Just as fascinating are the legends, myths, and science surrounding this polar phenomenon, described by George Bryson. As 2002 marks the peak viewing time of the northern lights in an eleven-year cycle, this book brings the elusive magic of the northern lights to stargazers near and far.(Drama) Ever since the premature death of his father, Duncan (Joshua Jackson) has been content with drifting aimlessly through life. When he takes a job in order to be near his ill gra! ndfather (Sutherland) and grandmother (Fletcher), he begins to! find pu rpose. The newfound sense of being needed, plus a budding romance with Kate (Lewis), begins to change Duncan profoundly.Joshua Jackson adds another poignant role to his resume as he continues to distance himself from his breakthrough role as hapless Pacey Witter on the television series Dawson's Creek. In the sweet family drama Aurora Borealis, Jackson portrays Duncan, a twentysomething former hockey player who deals with the death of his father--10 years prior--by bonding with his grandfather Ronald (Donald Sutherland), whose own health is deteriorating due to the onset of dementia. Though others dismiss his rambling as the babbles of an old man, Duncan sees that however his grandfather may seem, he has moments of lucidity. His grandfather claims he can see the Aurora Borealis from his balcony, and who is Duncan to contradict him? Both share a sardonic and sarcastic sense of humor, as well as a feeling of guilt about their respective losses. While Duncan sees ! Ronald as a fairly strong man, his grandmother (Louise Fletcher) worries about her husband's obsession with guns. Duncan also develops feelings for his grandfather's free-spirited nurse Kate (Juliette Lewis), a development that surprises no one. Lewis has played similar roles before, but she brings such vivaciousness to her part that viewers can see why Duncan is smitten. She's emboldened to move forward and start a new life, while he's reticent to let go of the past and move toward the unknown. At one point, Duncan has to decide whether he can let go of his fears to try to make a future for himself with Kate. The film moves at a slow pace, but that actually works with the plot, since it mirrors Duncan's own hesitation. The acting all around is superb, especially in the interactions between Jackson and Sutherland. In the end, it doesn't really matter whether Ronald can see the Northern Lights. If he believes he can, then he can. And that's the kind of optimism that his gran! dson so desperately needs. --Jae-Ha Kim

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