- Description: High Quality real photograph printed on Fuji Paper.
- Size: 8x10 inches
It wonât be easy. Despite Earlâs good-natured appeals (along with an occasional spectacula! r display of Godâs awesome powers), Grace is nigh on incorri! gible. A nd while each episode features a crime of some sort, ranging from murder and child abduction to the theft of a million-dollar statue of a steer, creator-writer Nancy Miller (who was an executive producer for The Closer, another TNT series with a strong female lead) focuses much more on Graceâs ongoing struggle to accept Earlâs presence ("Why me?" she asks. "I donât know," comes the reply) and do something to clean up her life. The showâs bluesy, authentic music (including Everlastâs title tune), dry sense of humor, and sexy tone (Hunter, looking very buff, is nearly nude on numerous occasions) are all positive elements; soâs the supporting cast, especially Rippy and Laura San Giacomo (as a police examiner whoâs Graceâs best pal). But Saving Grace is all about Holly Hunter, and by and large thatâs a very good thing. Bonus features include audio commentary by Miller and others on two episodes and several short featurettes. --Sam GrahamALW! AYS - DVD MovieConsidered by many to represent a low point in Steven Spielberg's career, 1990's Always did suggest something of a temporary drift in the director's sensibility. A remake of the classic Spencer Tracy film A Guy Named Joe, Always stars Richard Dreyfuss as a Forest Service pilot who takes great risks with his own life to douse wildfires from a plane. After promising his frightened fiancée (Holly Hunter) to keep his feet on the ground and go into teaching, Dreyfuss's character is killed during one last flight. But his spirit wanders restlessly, hopelessly attached to and possessive of Hunter, who can't see or hear him. Then the real conflict begins: a trainee pilot (Brad Johnson), a likable doofus, begins wooing a not-unappreciative Hunter--and it becomes Dreyfuss's heavenly mandate to accept, and even assist in, their budding romance. The trouble with the film is a certain airlessness, a hyper-inventiveness in every scene and! sequence that screams of Spielberg's self-education in Hollyw! ood clas sicism. Unlike the masters he is constantly quoting and emulating in Always, he forgets to back off and let the movie breathe on its own sometimes, which would better serve his clockwork orchestration of suspense and comedy elsewhere. Still, there are lovely passages in this film, such as the unforgettable look on Dreyfuss's face a half-second before fate claims him. John Goodman contributes good supporting work, and Audrey Hepburn makes her final screen appearance as an angel. --Tom KeoghCarnelle isn't happy with her life, so in order to improve herself she enters a local beauty contest, trying to emulate her cousin Elain's win many years ago. Few think she can win, even her closest friends and relatives (e.g. slightly mad cousin Delmount) think she's heading for a big disappointment, but Carnelle is ever hopeful, seeing a win as a ticket to escape her small town in Mississippi.
An investigative reporter, Ji-won, has recently published a controversial article about sex scandals, and has since begun receiving a series of menacing phone calls. She changes her number and moves to a new house, but the calls keep coming. When a friend's young daughter innoce! ntly answers the ringing telephone, she begins to exhibit increasingly crazed behavior. As a series of horrifying deaths occur, Ji-won discovers the sinister secret that threatens them all.
DVD Extras
Audio Commentary
Interviews
Behind The Scenes
"Making Of" Featurette
TV Spots
Miracle on 1st Street Poster (11 x 17 Inches - 28cm x 44cm) (2007) Korean Style B reproduction poster print
CAST: Chang Jung Lim, Ji-won Ha, Hyeon Ju, Tae-ho Goh; DIRECTED BY: Je-gyun Yun;
