Sunday, November 20, 2011

Hot Rods to Hell

  • The Phillips Family is chased by rowdy teenagers on their way through California. Runtime: 92 mins Format: DVD MOVIE Genre: TELEVISION Rating: NR Age: 012569797284 UPC: 012569797284 Manufacturer No: 79728
Andy Samberg stars as Rod Kimble, a stuntman with a fake mustache and a dream, in this outrageous comedy so unpredictable you won't know what hit you! Rod has never landed a jump without wiping out. His family and friends think he's a joke. And, to top it off, his stepfather Frank uses him as his own personal pinching bag. But he's not going to let a few minor problems keep him from the biggest stunt of his life!

Co-starring Isla Fisher and Ian McShane, Hot Rod is "very, very funny from start to finish" and scales the heights of hilarity as Rod defies death to win the money, win the girl and, ultimately, win some respect. After making a name for himself on SNL through a! series of shorts, particularly viral video favorite "Lazy Sunday," the way was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod i! s the kind of slapdash comedy that neglects to provide its her! o with a n age, a job, or even a hometown. But don't count Samberg out. Given time, he may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyAmateur stuntman Rod Kimble (ANDY SAMBERG) has a problem â€" his step-father Frank (IAN MCSHANE) is a jerk. Frank picks on Rod, tosses him around like a rag doll in their weekly sparring sessions, and definitely doesn't respect him, much less his stunts. But when Frank falls ill, it's up to Rod to stage the jump of his life in order to save his step-father. The plan: Jump 15 buses, raise the money for Frank's heart operation, and then... kick his ass.After making a name for himself on SNL through a series of shorts, particularly vir! al video favorite "Lazy Sunday," the way was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod is the kind of slapdash comedy that neglects to pr! ovide its hero with an age, a job, or even a hometown. But don! 't count Samberg out. Given time, he may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyAmateur stuntman Rod Kimble (ANDY SAMBERG) has a problem â€" his step-father Frank (IAN MCSHANE) is a jerk. Frank picks on Rod, tosses him around like a rag doll in their weekly sparring sessions, and definitely doesn't respect him, much less his stunts. But when Frank falls ill, it's up to Rod to stage the jump of his life in order to save his step-father. The plan: Jump 15 buses, raise the money for Frank's heart operation, and then... kick his ass. After making a name for himself on SNL through a series of shorts, particularly viral video favorite "Lazy Sunday," the way ! was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod is the kind of slapdash comedy that neglects to provide its hero with an age,! a job, or even a hometown. But don't count Samberg out. Given! time, h e may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyStudio: Victor Multimedia-05 Release Date: 10/16/2007 Run time: 60 minutesLike something that rolled out of a garage in Andy Hardy's hometown of Carvel Indiana comes Hot Rod. James Lydon (whose radio and film portrayals of Henry Aldrich were perhaps but a half-block removed from Andy) stars as David Langham, an enterprising youth with an eye for the girls and an ear for a well-tuned high-compression machine. And his dad? He's a sagacious font of advice (Art Baker) who happens to be a small town judge. The film, which combines the excitement of tire-singing speed with a cautionary message about the perils ! of street racing, would see a stream of redlining exploitation flicks in its rearview, Hot Rod Girl, Hot Rod Gang and Hot Rods to Hell among them.

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HOT RODS TO HELL - DVD Movie

Cradle Will Rock

  • As labor strikes break out throughout the country during the 1930s, the art and theater world of New York City is a growing cultural revolution. Nelson Rockefeller (John Cusack) commissions Mexican artist Diego Rivera (Ruben Blades) to paint the lobby of Rockefeller Center, while Italian propagandist Margherita Sarfatti (Susan Sarandon) gives Da Vincis to millionaires who help fund the Mussolini w
Powerful and sweeping, the critically acclaimed CRADLE WILL ROCK, starring Hank Azaria, Joan Cusack, John Cusack, Bill Murray, and Susan Sarandon, takes a kaleidoscopic look at the extraordinary events of 1930s America. From high society to life on the streets, director Tim Robbins (DEAD MAN WALKING) brings Depression-era New York City to vivid life. It's a time when DaVincis are given to millionaires who help fund the Mussolini war effort and Nelson Rockefeller commissions Mexican artist Diego Rive! ra to paint the lobby of Rockefeller Center. A time when a young Orson Welles and a troupe of passionate actors risk everything to perform the infamous musical "The Cradle Will Rock." As threats to their freedom and livelihood loom larger, they refuse to give into censorship. Based on actual events, CRADLE WILL ROCK will move you."Based on a (mostly) true story," according to the opening titles, Tim Robbins's dazzling dramatization of one of the great stories in American theater indeed takes a few liberties with history. Ostensibly the story of the mayhem surrounding Marc Blitzstein's worker's opera The Cradle Will Rock, directed by Orson Welles for the WPA at the height of the Depression, Robbins paints a veritable mural around this incident, a city alive with plotting industrialists (John Cusack as Nelson Rockefeller), radical artists (Ruben Blades's Diego Rivera), and struggling citizens (Bill Murray's frustrated vaudeville ventriloquist Tommy Crickshaw). Lightnin! g strikes when the government closes the show before it even o! pens and the cast marches 20 blocks to an empty theater and tosses the staging aside to perform in the aisles, the balconies, and the seats. It's a rare moment of cinema capturing the immediacy and charge of live theater on the screen and it's the heart of Robbins's often exhilarating film. His heroes are Blitzstein (a warm, gently impassioned Hank Azaria) and cheery WPA Theater director Hallie Flanagan (Broadway star Cherry Jones), but in the process he snidely turns Welles and producer John Houseman into sour, silly caricatures. The stew of artistic creation and political action gets murky and at times contradictory, but vivid performances and Robbins' driving pace and staccato crosscutting keep it humming through even the most didactic moments. The songs are by Blitzstein, and the character-rich cast also features Vanessa Redgrave, Susan Sarandon, John Turturro, Emily Watson, and Philip Baker Hall. --Sean Axmaker

Wild Child

  • Sixteen-year-old Poppy (Emma Roberts) is an LA teen diva who does what she wants, whenever she wants
  • But after an over-the-top prank pushes her father one step too far, she finds herself shipped off
  • No cell phones, no designer clothes?no way
  • Desperate to break free, she sets in motion the ultimate escape plan involving the head mistress?
  • Co-starring Natasha Richardson, Aidan Quinn and Nick Frost, it?s the fun and fabulous comedy that?s
Romantic Comedy. Alex (Luke Wilson) is an author whose writer's block and gambling debts have landed him in a jam. In order to get loan sharks off his back, he must finish his novel in 30 days or wind up dead. To help him complete his manuscript he hires stenographer Emma (Kate Hudson). As Alex begins to dictate his tale of a romantic love triangle to the charming yet somewhat opinionated stenographer, Emma challenges his ideas a! t every turn. Her unsolicited yet intriguing input begins to inadvertently influence Alex and his story and soon real life begins to imitate art.For perhaps the first time in her career, Kate Hudson doesn't just imitate the twinkle of her mother, Goldie Hawn--and proves to be a winning romantic lead in her own right. Hudson plays Emma, a stenographer hired by a desperate writer named Alex (Luke Wilson, The Royal Tenenbaums, Legally Blonde), who has to finish a book in 30 days. Of course, a tentative romance blooms between them; but as Alex begins to interweave elements of his life into the love triangle of his novel--including a suspiciously Emma-esque character named Anna--Emma wonders if the novel's sexy other woman has a real-life counterpart as well. Though Alex & Emma suffers from some bland, formulaic elements, it also features flashes of engaging wit. Hudson dampens her gleam, but because she's not working so hard to be adorable, a relaxed and mo! re unique charm comes forth. --Bret FetzerRomantic Come! dy. Alex (Luke Wilson) is an author whose writer's block and gambling debts have landed him in a jam. In order to get loan sharks off his back, he must finish his novel in 30 days or wind up dead. To help him complete his manuscript he hires stenographer Emma (Kate Hudson). As Alex begins to dictate his tale of a romantic love triangle to the charming yet somewhat opinionated stenographer, Emma challenges his ideas at every turn. Her unsolicited yet intriguing input begins to inadvertently influence Alex and his story and soon real life begins to imitate art.For perhaps the first time in her career, Kate Hudson doesn't just imitate the twinkle of her mother, Goldie Hawn--and proves to be a winning romantic lead in her own right. Hudson plays Emma, a stenographer hired by a desperate writer named Alex (Luke Wilson, The Royal Tenenbaums, Legally Blonde), who has to finish a book in 30 days. Of course, a tentative romance blooms between them; but as Alex begins to interwe! ave elements of his life into the love triangle of his novel--including a suspiciously Emma-esque character named Anna--Emma wonders if the novel's sexy other woman has a real-life counterpart as well. Though Alex & Emma suffers from some bland, formulaic elements, it also features flashes of engaging wit. Hudson dampens her gleam, but because she's not working so hard to be adorable, a relaxed and more unique charm comes forth. --Bret FetzerSixteen-year-old Poppy (Emma Roberts) is an LA teen diva who does what she wants, whenever she wants. But after an over-the-top prank pushes her father one step too far, she finds herself shipped off to the one place where everything will change: a British boarding school. No cell phones, no designer clothes…no way. Desperate to break free, she sets in motion the ultimate escape plan involving the head mistress’ son â€" only to discover that this could be the reason she wants to stay. Co-starring Natasha Richardson, Ai! dan Quinn and Nick Frost, it’s the fun and fabulous comedy t! hat’s LOL!Poppy is spoiled. OK, Poppy, played with snottiness galore by Emma Roberts, is wicked-impossible spoiled. As Wild Child opens, Poppy is having a Malibu meltdown, in the form of tossing her dad's new girlfriend's clothing into the Pacific--just past the edge of the infinity pool."This is the last straw, Poppy!" shouts her beleaguered dad (Aidan Quinn). So off Poppy goes--to boarding school. In England. Where it rains 200 days a year. If Wild Child has few plot surprises--selfish kid learns respect for others with the persistence and pluck of new friends and firm authority figures--it's still a lark, because of Roberts' considerable winsomeness, and because the dreaded England ends up showing considerable charm of its own, which draws in both Poppy and the viewer. Wild Child also marks something bittersweet, the last film performance of Natasha Richardson (who died in March 2009). Richardson is winning as the strict but warmhearted! headmistress, Mrs. Kingsley, making what could be a one-dimensional character complex. Richardson is totally self-possessed and grounded, and in some shots seems to channel another great British actress, Emma Thompson. The great Scottish character actress Shirley Henderson also makes a sly appearance as the matron with the dry-as-bone-china sense of humor.

"What is this place, Hogwarts?" sneers Poppy when she arrives at the remote 18th-century school. But what happens to Poppy is in some ways even more transformative than the goings-on at Harry Potter's school. Flirtation and love hover in the air, in the form of Mrs. Kingsley's hunky son, Freddie (Alex Pettyfer); and Poppy's flair for the dramatic and her undeniable leadership skills galvanize the student body, in some unexpected ways. Roberts is becoming a delightful actress with charisma and nuance. And as the Wild Child is tamed, a lovely young woman is revealed. --A.T. Hurley

Officially Licensed National Lampoons Christmas Vacation Glass Moose Mug - SINGLE Mug

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Now in the trade paperback edition:
New Bonus Chapter and Reading Group Guide, including Stephenie Meyer's Annotated Playlist for the book.

Melanie Stryder refuses to fade away. The earth has been invaded by a species that take over the minds of human hosts while leaving their bodies intact. Wanderer, the invading "soul" who has been given Melanie's body, didn't expect to find its former tenant refusing to relinquish possession of her mind.

As Melanie fills Wanderer's thoughts with visions of Jared, a human who still lives in hiding, Wanderer begins to yearn for a man she's never met. Reluctant allies, Wanderer and Melanie set off to search for the man they both love.

Featurin! g one of the most unusual love triangles in literature, THE HOST is a riveting and unforgettable novel about the persistence of love and the essence of what it means to be human. (2008)Amazon Best of the Month, May 2008: Stephenie Meyer, creator of the phenomenal teen-vamp Twilight series, takes paranormal romance into alien territory in her first adult novel. Those wary of sci-fi or teen angst will be pleasantly surprised by this mature and imaginative thriller, propelled by equal parts action and emotion. A species of altruistic parasites has peacefully assumed control of the minds and bodies of most humans, but feisty Melanie Stryder won't surrender her mind to the alien soul called Wanderer. Overwhelmed by Melanie's memories of fellow resistor Jared, Wanderer yields to her body's longing and sets off into the desert to find him. Likely the first love triangle involving just two bodies, it's unabashedly romantic, and the characters (human and alien) genui! nely endearing. Readers intrigued by this familiar-yet-alien w! orld wil l gleefully note that the story's end leaves the door open for a sequel--or another series. --Mari MalcolmPart 2 of the Touchstone trilogy:

In the months since Cassandra Devlin walked off Earth onto another planet, she has grappled with everything from making blankets to helping psychics battle the memories of monsters. Not able to find a way home, she has instead gained friends and a purpose. Unfortunately, that purpose brings with it the pressure of being more than a little valuable, and those she has befriended are also her guards, ordered to explore and control her abilities to find out just what it is a touchstone can do.

Test subject was not the career path Cass had been planning.

With no privacy, too-frequent injuries, and the painful knowledge that she must always be an assignment to her Setari companions, Cass can only wish for some semblance of normality and control.

And as her abilities become more and more danger! ous, tests and training may be the only thing capable of protecting Cass from herself.
Part 2 of the Touchstone trilogy:

In the months since Cassandra Devlin walked off Earth onto another planet, she has grappled with everything from making blankets to helping psychics battle the memories of monsters. Not able to find a way home, she has instead gained friends and a purpose. Unfortunately, that purpose brings with it the pressure of being more than a little valuable, and those she has befriended are also her guards, ordered to explore and control her abilities to find out just what it is a touchstone can do.

Test subject was not the career path Cass had been planning.

With no privacy, too-frequent injuries, and the painful knowledge that she must always be an assignment to her Setari companions, Cass can only wish for some semblance of normality and control.

And as her abilities become more and more dangerous, tests and training may be the o! nly thing capable of protecting Cass from herself.
Reads R ! to L (Ja panese Style).

In this screwball romantic comedy, Haruhi, a poor girl at a rich kids' school, is forced to repay an $80,000 debt by working for the school's swankiest, all-male club--as a boy! There, she discovers just how wealthy the six members are and how different the rich are from everybody else...As high-tech gadgets become increasingly advanced with ever-improving video and audio quality, we find ourselves needing extra speed and memory capacity to store our high-resolution digital masterpieces.

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The Best Laid Plans: A Novel

  • ISBN13: 9780345491190
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Selected as the 2011 CBC Canada Reads Winner!

This book beat out work by Douglas Coupland and Will Ferguson because it is very, very good â€" a terrific Canadian political satire.

Here’s the set up: A burnt-out politcal aide quits just before an election â€" but is forced to run a hopeless campaign on the way out. He makes a deal with a crusty old Scot, Angus McLintock â€" an engineering professor who will do anything, anything, to avoid teaching English to engineers â€" to let his name stand in the election. No need to campaign, certain to lose, and so on.

Then a great scandal blows away his opponent, and to their horror, Angus is elected. He decides to see what go! od an honest M.P. who doesn’t care about being re-elected can do in Parliament. The results are hilarious â€" and with chess, a hovercraft, and the love of a good woman thrown in, this very funny book has something for everyone.Selected as the 2011 CBC Canada Reads Winner!

This book beat out work by Douglas Coupland and Will Ferguson because it is very, very good â€" a terrific Canadian political satire.

Here’s the set up: A burnt-out politcal aide quits just before an election â€" but is forced to run a hopeless campaign on the way out. He makes a deal with a crusty old Scot, Angus McLintock â€" an engineering professor who will do anything, anything, to avoid teaching English to engineers â€" to let his name stand in the election. No need to campaign, certain to lose, and so on.

Then a great scandal blows away his opponent, and to their horror, Angus is elected. He decides to see what good an honest M.P. who doesn’t car! e about being re-elected can do in Parliament. The results are! hilario us â€" and with chess, a hovercraft, and the love of a good woman thrown in, this very funny book has something for everyone.


From the Trade Paperback edition.Selected as the 2011 CBC Canada Reads Winner!

This book beat out work by Douglas Coupland and Will Ferguson because it is very, very good â€" a terrific Canadian political satire.

Here’s the set up: A burnt-out politcal aide quits just before an election â€" but is forced to run a hopeless campaign on the way out. He makes a deal with a crusty old Scot, Angus McLintock â€" an engineering professor who will do anything, anything, to avoid teaching English to engineers â€" to let his name stand in the election. No need to campaign, certain to lose, and so on.

Then a great scandal blows away his opponent, and to their horror, Angus is elected. He decides to see what good an honest M.P. who doesn’t care about being re-elected can do in Parliament. The results a! re hilarious â€" and with chess, a hovercraft, and the love of a good woman thrown in, this very funny book has something for everyone.


From the Trade Paperback edition.From Lynn Schnurnberger, bestselling co-author of Mine Are Spectacular! and The Botox Diaries, comes a novel of big secrets, family ties, and a reminder that sometimes The Best Laid Plans can lead to delightful surprises.

Tru Newman is one of the Upper East Side “M&Ms”â€"the wealthy stay-at-home moms who are into personal Maintenance and Mothering. Having been raised by a beauty queen mother who constantly picked on her, Tru loves looking after her investment banker husband, Peter, and their twin teen daughters. But her perfect world spins off its axis the night Tru throws a charity benefit and discovers that Peter’s been out of work for three months. Even worse, the family’s been living on a house of cardsâ€"specifically, Visa and Amexâ€"that’s about t! o collapse.

Suze Orman tells Tru to “Get a job!” B! ut doing what? When Tru’s best friend, Sienna Post, loses her position as an anchor on the local nightly news, the two hatch a profitable if illegal plan: They’ll open an escort service with “working girls” all over the age of forty. Modeling themselves on Carla Bruni (“after she married the president of France, not before, when she was dating Mick Jagger”), their smart, sexy, seasoned escorts become a big hit with a roster of thirty-year-old clients.

If only Tru’s legit life could fall so easily into place: Her husband’s new job has him working side by side with a flirtatious neighbor, her fourteen-year-old twins are competing over a two-timing, Clearasil-using Casanova, and after suffering a heart attack in her bodybuilding class, Tru’s hypercritical mother moves in with her. Not to mention that the gossip columns get wind that Tru and Sienna’s “temp agency” isn’t on the up-and-upâ€"and the DA is on their case. 

But for the savvy and spir! ited Tru, these new obstacles bring unexpected benefitsâ€"from Geisha facials, to massage toys that are “better than chocolate,” to the realization that at midlife, she’s more comfortable than ever before in her own skin and more grateful for all that she has. By turns touching and laugh-out-loud funny, this is a must-read for every woman who knows it’s never too late to make a fresh start.

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