The Godfather

• ISBN13: 9780451205766
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

More than thirty years ago, a classic was born. A searing novel of the Mafia underworld, The Godfather introduced readers to the first family of American crime fiction, the Corleones-and became the definitive novel of the virile, violent subculture that remains steeped in intrigue, in controversy, and in our collective consciousness.The story of Don Vito Corleone, the head of a New York Mafia family, inspired some of the most successful movies ever. It is in Mario Puzo's The Godfather that Corleone first appears. As Corleone's desperate struggle to control the Mafia underworld unfolds, so does the story of his family. The novel is full of exquisitely detailed characters who, despite ! leading unconventional lifestyles within a notorious crime family, experience the triumphs and failures of the human condition. Filled with the requisite valor, love, and rancor of a great epic, The Godfather is the definitive gangster novel.

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Extreme Dating

• Four twenty-something friends believe that the key to winning over their true loves is to place themselves in extreme situations. They plot a fake kidnapping but the plan goes awry when the kidnappers turn out to be ex-cons with plans of their own. The remaining friends must now rescue the captives and manage to avoid the law at the same time.Running Time: 96 min. Format: DVD MOVIE Genre:&nbs

Danny (Chris Pine) is smart, handsome, popular, and blind... and not just physically: He also can't see how wild women are for him. Even his sexy therapist (Jane Seymour) can't keep her clothes on around Danny. After a series of painful "blind dates" set up by his brother (Kaye Thomas), Danny falls for a young Indian woman named Leeza (Anjali Jay), and finally everything seems picture perfect. But when cultures clash, and Leeza reveals that she's been promised to someone else, Danny must prove to her tha! t there's more to love than meets the eye!A romantic comedy disguised as an American Pie-type sex romp, Blind Dating tells the story of a sweet young blind man who falls for a woman who is engaged to be married. Hottie Chris Pine plays Danny, who has never had a serious girlfriend. His annoying but well-meaning brother Larry (Eddie Kaye Thomas, American Pie) is intent on helping Danny lose his virginity by hooking him up with several inappropriate women. Then there's Dr. Evans (Jane Seymour), Danny's unorthodox therapist who has the odd habit of undressing as he talks about his dates. Though the scenes are played for laughs, there's something inherently creepy about them since Dr. Evans clearly needs to take a class on boundaries. Blind Dating has an uneven feel because it's trying to be too many things at the same time. It would've fared better had it concentrated less on Larry's shenanigans and more on the budding romance between Danny and Leez! a (Anjali Jay), the receptionist at Danny's eye doctor's offic! e. Becau se one of the central characters is blind, and another works for an optometrist, it is giving nothing away to say that part of the plot involves a surgical procedure that could potentially restore Danny's eyesight. It would've been nice to learn more about Leeza's Indian background; the film implies that the marriage her parents have arranged for her is a bad one (and it probably is). But it would've been interesting to see the family presented as more than caricatures. While not a great film, Blind Dating has some sweet moments, courtesy of Pine and Jay. --Jae-Ha KimNo Description Available.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 23-MAR-2004
Media Type: DVDBruce Willis's first starring vehicle was this 1987 comedy by Blake Edwards (Victor/Victoria), in which the actor plays a yuppie set up on a blind date with a beautiful blonde (Kim Basinger). Everything goes swimmingly until Willis does what he wa! s warned not to do: give the lady alcohol, which causes her to get entirely out of control. The one-note joke basically turns the film into a succession of set pieces in which Willis has to keep up with Basinger, bail her out of trouble, or get out of the way of her hotheaded former boyfriend (John Larroquette). Willis is fine, Basinger is impressively unhinged, Larroquette is hilarious, and Phil Hartman has a nice role as the friend who set up Willis's evening from hell. The slapstick shtick is classic Edwards, but the film is not Edwards at his most inspired. Consider Blind Date the work of a good filmmaker in a holding pattern. --Tom Keogh Four twenty-something friends believe that the key to winning over their true loves is to place themselves in extreme situations. They plot a fake kidnapping but the plan goes awry when the kidnappers turn out to be ex-cons with plans of their own. The remaining friends must now rescue the captives and manage to avoid the! law at the same time.

DVD Features:
Audio Comm! entary
Gag Reel

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City of Men

• As Seen on the SUNDANCE CHANNEL From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and K tia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slum starring Darlan Cunha and Douglas Silva, featured in the motion picture tha

As Seen on the SUNDANCE CHANNEL

From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and Kátia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slum starring Darlan Cunha and Douglas Silva, featured in the motion picture that inspired this series.

The CITY is a shantytown located in one of the many mountains of Rio de Jan! eiro. The MEN are two 13-year-old kids, Laranjinha and Acerola. This series brilliantly mixes humor and reality to explore life in the "favelas" and in particular the indomitable spirit of two best friends growing up in one of most volatile communities in the world.Brazilian TV series City of Men is a dazzling, propulsive, and fiery exploration of life in a chaotic Rio de Janeiro slum, seen through the eyes of Acerola (Douglas Silva) and Laranjinha (Darlan Cunha). These two boys prove to be amazingly charming tour guides to a world by turns terrifying and exhilarating. Using the jam-packed storytelling that made the movie City of God such a revelation, the first episode alone is a marvel, merging the history of Napoleon with a cutting analysis of drug lords and class structure in the poverty-ridden neighborhood. The other three episodes of the first series carry on this riveting approach, mingling social observation with rich, compelling characters. From the s! econd series on, the show becomes less overtly political and m! ore abou t Acerola and Laranjinha's passage from youth to adulthood (embracing, with humor and pathos, the adolescent boys' obsession with sex)--though every episode has some sly or startling observation about race, wealth, and gender. Each series is filmed a year after the previous one, so the boys literally grow before our eyes; it's impossible to watch and not feel deeply involved as Acerola woos a girl named Cristiane and ends up a way-too-young father, or as an innocent prank escalates into a life-and-death struggle. Some episodes teeter on the brink of silliness--one of the last ones has the boys engaging in absurd cross-dressing--but the briskness of the writing and the charisma of Silva and Cunha carry the show through. Add to this the dynamic musical score of Brazilian pop and samba, and you have essential viewing. World music has already found popularity in the U.S.; welcome to a masterpiece of world television. --Bret Fetzer

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The Go-Getter

• GO GETTER, THE (DVD MOVIE)

ALL THE REAL GIRLS - DVD MovieYou'd think moviemakers would have run out of new ways of capturing the trials and joys of young love--but director David Gordon Green finds a fresh take in All the Real Girls, a bittersweet small-town romance. By leaving out the usual humdrum exposition of a courtship story, Green cuts right to the little moments that form the high and low points of a budding relationship. It's an impressionistic style aided by the wonderfully spontaneous and unpredictable acting of Paul Schneider (who also co-scripted) and Zooey Deschanel--who look like they're improvising, even though they're not. As in Green's excellent debut feature George Washington, a small town serves as an atmospheric backdrop--this place looks a couple of decades shy of the 21st century. The mosaic approach makes the film play like a collection of memories, someo! ne's first love recalled with fondness and just a bit of regret. --Robert HortonYou'd think moviemakers would have run out of new ways of capturing the trials and joys of young love--but director David Gordon Green finds a fresh take in All the Real Girls, a bittersweet small-town romance. By leaving out the usual humdrum exposition of a courtship story, Green cuts right to the little moments that form the high and low points of a budding relationship. It's an impressionistic style aided by the wonderfully spontaneous and unpredictable acting of Paul Schneider (who also co-scripted) and Zooey Deschanel--who look like they're improvising, even though they're not. As in Green's excellent debut feature George Washington, a small town serves as an atmospheric backdrop--this place looks a couple of decades shy of the 21st century. The mosaic approach makes the film play like a collection of memories, someone's first love recalled with fondness and just a bit! of regret. --Robert HortonSometimes you find love wher! e you'd least expect it. Just ask Lars (Academy Award-Nominee* Ryan Gosling), a sweet but quirky guy who thinks he's found the girl of his dreams in a life-sized doll named Bianca. Lars is completely content with his artificial girlfriend, but when he develops feelings for Margo, an attractive co-worker, Lars finds himself lost in a hilariously unique love triangle, hoping to somehow discover the real meaning of true love. Offbeat and endearing, this romantic comedy takes a fresh look at dating and relationships and dares to ask the question: What's so wrong with being happy?To some, Lars and the Real Girl will play as comedy; to others, tragedy. Though Craig Gillespie (Mr. Woodcock) allows Lars Lindstrom (a mustachioed Ryan Gosling, miles away from Half Nelson) a happy ending, the road is far from smooth. This rumpled Midwesterner couldn't be more miserable. His brother, Gus (Paul Schneider, All the Real Girls), and sister-in-law, Karin (Emily Mortimer, Love! ly and Amazing), fall over themselves to cheer him up, but Lars cannot be moved; he’s been like that since childhood. Then a porn-addicted co-worker hips him to the lifelike Real Doll. The next thing everyone knows, Lars has a new girlfriend named Bianca. She's from Brazil, she's shy, and she uses a wheelchair. She's also made of silicon. (Because Lars is a devout Christian, hanky-panky is out of the question.) Since he's finally emerging from his shell, his doctor, Dagmar (Patricia Clarkson), advises Gus and Karin to play along with the "delusion." Soon the whole town, including Margo (Kelli Garner), who harbors a not-so-secret crush on her officemate, gets in on the action, forcing Lars to rejoin the human race or crawl deeper into psychosis. Written by Six Feet Under's Nancy Oliver, Lars and the Real Girl is built around such a preposterous premise, it's hard to know whether to laugh or cry. Fortunately, the actors play it straight. Gosling does his b! est to make Lars sympathetic, but Schneider and Mortimer, full! y convin cing in their concern, are the true heart and soul of this odd little film. --Kathleen C. Fennessy

Beyond Lars and the Real Girl

More from Ryan Gosling

Lars and the Real Girl Soundtrack

More Comedies from MGM

Stills from Lars and the Real Girl

You'd think moviemakers would have run out of new ways of capturing the trials and joys of young love--but director David Gordon Green finds a fresh take in All the Real Girls, a bittersweet small-town romance. By leaving out the usual humdrum exposition of a courtship story, Green cuts right to the little moments that form the high and low points of a budding relationship! . It's an impressionistic style aided by the wonderfully spont! aneous a nd unpredictable acting of Paul Schneider (who also co-scripted) and Zooey Deschanel--who look like they're improvising, even though they're not. As in Green's excellent debut feature George Washington, a small town serves as an atmospheric backdrop--this place looks a couple of decades shy of the 21st century. The mosaic approach makes the film play like a collection of memories, someone's first love recalled with fondness and just a bit of regret. --Robert HortonFabulous, fashionable and completely “hot,” The Real L Word is reality TV that only Showtime can bring you. Meet six of the most gorgeous, powerful, and fascinating lesbians of LA. They live life within the glamorous inner circle of Hollywood and no matter who you are, it won’t be long until you’re caught up in their drama.When a teenager s mother dies, his road trip in a stolen car to reunite with his long lost brother unexpectedly becomes a fun roller-coaster of self-discovery.

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Wrath of Gods

• Director's Cut, 72 minutes
• 2 hours of bonus material
• 1 hour exclusive interview with Gerard Butler
• Additional and extended scenes & exclusive interviews with the people behind Beowulf & Grendel
• Subtitles: Spanish, German, French, Icelandic, Polish + Version for the hearing impaired

This touching and humorous movie has earned the raves of critics and won the hearts of audiences everywhere! To spare the feelings of her fatherless boy, Lizzie (Emily Mortimer -- Disney's THE KID) secretly authors letters from his "father" that detail seafaring adventures from around the world. But she cannot maintain this illusion forever. Torn between exposing the truth and protecting her son, Lizzie gets more than anyone bargained for when she hires a handsome stranger (Gerald Butler -- THE PHANTOM OF THE OPERA, LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE) to play the role of a li! fetime! Winner at both the Heartland Film Festival and the Seattle International Film Festival, this entertaining motion picture is sure to touch your heart!Driven by intelligent, constantly surprising and moving performances from the film's leads, Dear Frankie stars Emily Mortimer (Lovely and Amazing) as Lizzie, Scottish mother of Frankie (Jack McElhone), a deaf and highly intelligent 9-year-old. Constantly uprooting themselves and relocating from town to town, Lizzie and Frankie are on the run from the latter's abusive father, a fact unknown to the boy, who believes his dad is a busy seaman sending letters full of adventure and love. In fact, Lizzie is writing those missives, but she is faced with a challenge when Frankie discovers his father's ship will dock nearby. Lizzie hires a kind, handsome stranger (Gerard Butler) to play Frankie's dad, creating an odd situation in which ever-growing lies become a conduit for love, and Lizzie's repressed desires come ! to the fore with a man posing as her husband. The moral tangle! s are of interest in director Shona Auerbach's charmingly paced, quietly insightful drama-comedy, but so is the glorious feeling of watching these characters come fully alive. --Tom KeoghDriven by intelligent, constantly surprising and moving performances from the film's leads, Dear Frankie stars Emily Mortimer (Lovely and Amazing) as Lizzie, Scottish mother of Frankie (Jack McElhone), a deaf and highly intelligent 9-year-old. Constantly uprooting themselves and relocating from town to town, Lizzie and Frankie are on the run from the latter's abusive father, a fact unknown to the boy, who believes his dad is a busy seaman sending letters full of adventure and love. In fact, Lizzie is writing those missives, but she is faced with a challenge when Frankie discovers his father's ship will dock nearby. Lizzie hires a kind, handsome stranger (Gerard Butler) to play Frankie's dad, creating an odd situation in which ever-growing lies become a conduit for love, and Lizz! ie's repressed desires come to the fore with a man posing as her husband. The moral tangles are of interest in director Shona Auerbach's charmingly paced, quietly insightful drama-comedy, but so is the glorious feeling of watching these characters come fully alive. --Tom KeoghUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Cast/Crew Interview(s), Commentary, Deleted Scenes, Interactive Menu, Short Film, Trailer(s), SYNOPSIS: The title character in this bowl of Scottish blarney is a sweet nine-year-old deaf boy (Jack McElhone) who lives a fugitive existence with his beautiful mother (Emily Mortimer) and his chain-smoking grandmother (Mary Riggans). The family is forced to move every few months to avoid being tracked down by Frankie's violent, abusive father. Th! e happiness of the boy, who is too young to remember the his f! ather re volves around bogus letters penned by his mother posing as his devoted but absent dad, supposedly a merchant seaman. When a ship that coincidentally has the same name as the one his mother invented docks, she hires an impersonator (Gerard Butler) to play his seafaring dad. Although sensitively acted, the movie is a fraudulent mawkish yarn riddled with plot holes and improbabilities. SCREENED/AWARDED AT: BAFTA Awards, European Film Awards, Montreal World Film Festival, ...Dear FrankieWinner of 6 international film festival awards, this entertaining documentary tells the dramatic story behind the making of the epic movie Beowulf & Grendel, starring Gerard Butler, Stellan Skarsgard, Sarah Polley and Ingvar Sigurdsson. When Canadian director Sturla Gunnarsson and his cast and crew, including Gerard Butler and Stellan Skarsgård, set upon Iceland to film Beowulf & Grendel in 2004, they expected the usual complications involved in making a major motion picture. What they encountered was a ruthless Icelandic winter on a foreboding landscape, financing complications and a bizarre run of bad luck that led some of them to believe they were in an epic battle with the Norse gods themselves. Filmmaker Jon Gustafsson was along for the ride. Hired to play one of Beowulf's warriors, he's one set with his camera as the crew battles hurricane force winds and he's in the backroom as the producers scramble to shore up a collapsing deal, creating an intimate portrait of filmmakers fighting the odds in pursuit of a vision. If you liked "Lost in la Mancha" or "Burden of Dreams" you will probably like this one. DVD Special Features: 2 hours of bonus features, 1 hour exclusive interview with Gerard Butler, exclusive interviews with producers of Beowulf & Grendel, additional & extended scenes, chapter selection, Subtitles: Spanish, German, French, Icelandic, Polish, English, version for the hearing impaired.

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Dollie & Me Girls 2-6X Holiday Plaid Dress, Black/Red Plaid, 6

• Front center non-functional velvet bow with square silver buckle at waistline
• Functional self fabric back ties
• Entire dress is lined
• Invisible zipper at center back
• Crinoline attached to lining hem of skirt

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Jessica Simpson Women's 2 Pair Pack Argyle Knee High Socks, Eclipse, One Size

• 2 pair pack
• lurex argyle knee socks, paired with a solid knee sock in corresponding color

The Womens Roxy Torah Bright Pant will lead the way to victory on the snow this winter. When you put a Gold Medalist to work on designing a snow pant, you are sure to come up with perfection. This snow pant not only has all of the weatherproofing, venting and essential features you will ever need, it also comes in fashionable colors and has a relaxed and stretchy fit that youll just love. Be ready for action this winter in the Torah Bright Pant for Women.The perfect stocking stuffer, these holiday sparkle socks come wrapped up with a neat little bow

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Alien Anthology [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Box set; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

A group of scientists has cloned Lt. Ellen Ripley, along with the alien queen inside her, hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her "creators," as are the aliens they've imprisoned. And soon, a lot more than "all hell" breaks loose. To combat the creatures, Ripley must team up with a band of smugglers, including a mechanic named Call (Ryder), who holds more than a few surprises of her own.Perhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists! on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall FineStudio: Tcfhe Release Date: 05/10/2011 Run time: 109 minutes Rating: RPerhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set! even further in the future, where scientists on a space colon! y have c loned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall FineA group of scientists has cloned Lt. Ellen Ripley, along with the alien queen inside her, hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her "creators," as are the aliens they've imprisoned. And soon, a lot more than "all hell" breaks loose. To combat the creatures, Ripley must team up with a band of smugglers, including a mechanic named Call (Ryder), w! ho holds more than a few surprises of her own.Perhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. -! -Marshall FineAlien
The te! rror beg ins when the crew of a spaceship investigates a transmission from a desolate planet, and discovers a life form that is perfectly evolved to annihilate mankind. One by one, each crew member is slain until only Ripley is left, leading to an explosive conclusion that sets the stage for its stunning sequel, "Aliens."

Aliens
In this action-packed sequel to Alien, Sigourney Weaver returns as Ripley, the only survivor from mankind's first encounter with the monstrous Alien. Her account of the Alien and the fate of her crew are received with skepticism - until the mysterious disappearance of colonists on LV-426 leads her to join a team of high-tech colonial marines sent in to investigate.

Alien 3
Lt. Ripley (Sigourney Weaver) is the lone survivor when her crippled spaceship crash lands on Fiorina 161, a bleak wasteland inhabited by former inmates of the planet's maximum security priso! n. Ripley's fears that an Alien was aboard her craft are confirmed when the mutilated bodies of ex-cons begin to mount. Without weapons or modern technology of any kind, Ripley must lead the men into battle against the terrifying creature. And soon she discovers a horrifying fact about her link with the Alien, a realization that may compel Ripley to try destroying not only the horrific creature but herself as well.

Alien Resurrection
A group of scientists has cloned Lt. Ellen Ripley, along with the alien queen inside her, hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her "creators," as are the aliens they've imprisoned. And soon, a lot more than "all hell" breaks loose. To combat the creatures, Ripley must team up with a band of smugglers, including a mechanic named Call (Ryder), who holds more than a few surprises of her own.The Alien Quadrilogy is a nine-disc boxed set devoted ! to the four Alien films. Although previously available ! on DVD a s the Alien Legacy, here they have been repackaged with vastly more extras and with upgraded sound and picture. For anyone who hasn't been in hypersleep for the last 25 years, this series needs no introduction, though for the first time each film now comes in both original and "special edition" form.

Alien (1979) was so perfect it didn't need fixing, and Ridley Scott's 2003 director's cut is fiddling for the sake of fiddling. Watch it once, then return to the majestic, perfectly paced original. Conversely, the special edition of James Cameron's Aliens (1986) is the definitive version, though it's nice to finally have the theatrical cut on DVD for comparison. Most interesting is the alternative Alien 3 (1992). This isn't a "director's cut"--David Fincher refused to have any involvement with this release--but a 1991 work-print that runs 29 minutes longer than the theatrical version, and has now been restored, remastered, and finished off with (u! nfortunately) cheap new CGI. Still, it's truly fascinating, offering a different insight into a flawed masterpiece. The expanded opening is visually breathtaking, the central firestorm is much longer, and a subplot involving Paul McGann's character adds considerable depth to story. The ending is also subtly but significantly different. Alien: Resurrection (1997) always was a mess with a handful of brilliant scenes, and the special edition just makes it eight minutes longer.

The Alien Quadrilogy offers the first and fourth films with DTS soundtracks, the others having still fine Dolby Digital 5.1 presentation. All four films sound fantastic, with much low-level detail revealed for the first time. Each is anamorphically enhanced at the correct original aspect ratio, and the prints and transfers are superlative. Every film offers a commentary track that lends insight into the creative process--though the Scott-only commentary and isolated music score from the! first Alien DVD release are missing here.

Each mov! ie is co mplemented by a separate disc packed with hours of seriously detailed documentaries (all presented in full-screen with clips letterboxed), thousands of photos, production stills, and storyboards, giving a level of inside information for the dedicated buff only surpassed by the Lord of the Rings extended DVD sets. A ninth DVD compiles miscellaneous material, including an hourlong documentary and even all the extras from the old Alien laserdisc. "Exhaustive" hardly beings to describe the Alien Quadrilogy, a set that establishes the new DVD benchmark for retrospective releases and looks unlikely to be surpassed for some time. --Gary S. DalkinAn interesting feature of Alien, Aliens, Alien 3, and Alien Resurrection, worth watching together if only for the chance to see how different directors handle essentially the same idea. The results are decidedly mixed. Ridley Scott's Alien is the most traditional of the bunch! , essentially a haunted-house picture set on a space freighter, where a monster is picking off crew members one by one. James Cameron's Aliens is the all-out adrenaline bath, a pulse-pounding action thriller from start to finish. It plays a little like a Western in outer space, where the settlers are waiting for a cavalry that never comes--and the Indians are acid-veined aliens. And David Fincher's Alien 3 is the rock-video version, in which substance and storytelling are sacrificed to editing and imagery, as the aliens attempt to take over a space penal colony. --Marshall FineBrace yourself for a whole new breed of Blu-ray: Four powerful films...eight thrilling versions...in dazzling, terrifying, high-def clarity with the purest digital sound on the planet. Two bonus dics and over 65 hours of archival and never-before-seen content, including the totally immersive MU-TH-UR mode feature, makes this definitive Alien collection!Review of ! Alien
A landmark of science fiction and! horror, Alien arrived in 1979 between Star Wars and The Empire Strikes Back as a stylishly malevolent alternative to George Lucas's space fantasy. Partially inspired by 1958's It! The Terror from Beyond Space, this instant classic set a tone of its own, offering richly detailed sets, ominous atmosphere, relentless suspense, and a flawless ensemble cast as the crew of the space freighter Nostromo, who fall prey to a vicious creature (designed by Swiss artist H.R. Giger) that had gestated inside one of the ill-fated crew members. In a star-making role, Sigourney Weaver excels as sole survivor Ripley, becoming the screen's most popular heroine in a lucrative movie franchise. To measure the film's success, one need only recall the many images that have been burned into our collective psyche, including the "facehugger," the "chestburster," and Ripley's climactic encounter with the full-grown monster. Impeccably directed by Ridley Scott, Alien is one of the cinema's most unforgettable ni! ghtmares. --Jeff Shannon

Review of Aliens
Aliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so long that everyone she knows is dead. Then she is talked into traveling (along with a squad of Marines) to a planet under assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed her, in hopes of capturing one of the aliens to study as a military weapon. Directed and written by James Cameron, this is one of the most intensely exciting (not to mention intensely frightening) action films ever, with a large ensemble cast that includes Bill Paxton, Lance Henriksen, Paul Reiser, and Michael Biehn. Weaver defined the action woman in this film and walked awa! y with an Oscar nomination for her trouble. --Marshall Fin! e
Review of Alien 3
The least successful film in this series was directed by stylemaster (and content-underachiever) David Fincher. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realizes that not only has an alien gotten loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened lifespan that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall Fine

Review of Alien Resurrection
Perhaps these films are like the Star Trek movies: The even-numbered episodes a! re the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall Fine

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Anne Klein Women's 2-Pack Solid Cashmere Gift Set Socks, Ivory, One Size

• Great gift giving item
• 15% Cashmere, 50% Acrylic, 20% Nylon, 10% Modal Rayon, 5% Spandex

2 pr cashmere blend socks

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