What if the hottest guy in the world was hiding a nameless evil, and all he wanted was you?
At the start of this heart-pounding new installment of the bestselling House of Night series, Zoey’s friends have her back again and Stevie Rae and the red fledglings aren’t Neferet’s secrets any longer. But an unexpected danger has emerged. Neferet guards her powerful new consort, Kalona, and no one at the House of Night seems to understand the threat he poses. Kalona looks gorgeous, and he has the House of Night u! nder his spell. A past life holds the key to breaking his rapidly spreading influence, but what if this past life shows Zoey secrets she doesn’t want to hear and truths she can’t face?
On the run and holed up in Tulsa’s Prohibition-era tunnels, Zoey and her gang must discover a way to deal with something that might bring them all down. Meanwhile, Zoey has a few other little problems. The red fledglings have cleaned up well â€" they’ve even managed to make the dark, creepy tunnels feel more like home â€" but are they really as friendly as they seem? On the boyfriend front, Zoey has a chance to make things right with super-hot ex-, Erik, but she can’t stop thinking about Stark, the archer who died in her arms after one unforgettable night, and she is driven to try to save him from Neferet’s sinister influence at all costs. Will anyone believe the power evil has to hide among us?
Dare to enter the House of Night: WWW.HOUSEOFNIGHTSERIES.COM
At the start of this heart-pounding new installment of the bestselling House of Night series, Zoey's friends have her back again and Stevie Rae and the red fledglings aren't Neferet's secrets any longer. But an unexpected danger has emerged. Neferet guards her powerful new consort, Kalona, and no one at the House of Night seems to understand the threat he poses. Kalona looks gorgeous, and he has the House of Night under his spell. A past life holds the key to breaking his rapidly spreading influence, but what if this past life shows Zoey secrets she doesn't want to hear and truths she can't face?
On the run and holed up in Tulsa's Prohibition-era tunnels, Zoey and her gang must discover a way to deal with something that might bring them all down. Meanwhile, Zoey has a few other little problems. The red fledglings have cleaned up well--they've even managed to make the dark, creepy tunnels feel more! like home--but are they really as friendly as they seem? On the boyfriend front, Zoey has a chance to make things right with super-hot ex-, Eric, but she can't stop thinking about Stark, the archer who died in her arms after one unforgettable night, and she is driven to try to save him from Neferet's sinister influence at all costs. Will anyone believe the power evil has to hide among us?
Amazon.com: Why vampyres? What was intriguing to you about them? (Also, why "y"?)
P.C. Cast: Actually, the idea for the series originated with my fabulous agent, Meredith Bernstein. We were at RWA [Romance Writers of America] Nationals in Reno several years ago and Meredith said she had an idea for a series she'd like to see me write. Then she said the three magic words: vampire finishing school. I instantly thought of YA because I'd been reading the Hawksong books by Amelia Atw! ater-Rhodes--so my head was already in YA. Also, I've been tea! ching hi gh school English since 1993 (I'm from a family of teachers) so I definitely knew my audience. Basically, it sounded like fun to write, so I jumped in even though I'd only written fantasy and paranormal romance up until then.
Oh, and the spelling is just my choice 'cause I like the way it looks!
Amazon.com: I don't want to draw too many comparisons between your series and Twilight, because they are completely different types of stories. However, I am curious if the popularity of that series has changed the way you see your genre, or do you even see it being the same genre?
PC: I see my genre as YA, and to me that encompasses everyone from Rowling to Laurie Halse Anderson to Jan! ice Erlbaum. So, yes, Twilight fits in the same genre. And while I enjoy Ms. Meyer's books very much, I think the genre has been growing and changing and gaining popularity steadily over the past decade--mostly thanks to Ms. Rowling! As a high school English teacher I certainly noticed the increase in sophistication and popularity of the genre some time ago. Today's YA has an incredible range and depth, and it deals with real coming of age issues in varied and interesting ways. I'm proud to be a member of the ranks of YA authors!
Amazon.com: Can you talk a little bit about the role that religion plays in the novels? The whole series revolves around the worship of Nyx, the Goddess of Night, and Hunted really digs into questions of faith and free will (often related to what guy Zoey will be drawn to next...very clever to make that her weakness!). At various points in the series you also have People of Faith, Catholic nuns, a! nd Cherokee legend. How do you see all these elements working ! together ?
PC: Very clever of you to recognize the ramifications of Zoey's weakness!
It's easy for me to weave the different religious elements of the world together because it's not really "religion" I'm dealing with when I create the conflicts and faith foundations in the House of Night. Instead I see it as a way to illuminate coming of age issues, which often deal with conformity and obsession and trying to learn boundaries. I chose to give my heroine a belief system in which to live that is matriarchal because my purpose is to empower young women, and by allowing Zoey to join a world where women are valued as leaders and really have no glass ceiling, except the ones they create for themselves, as exemplified by Neferet, I have a springboard for a lot of girl power.
Amazon.com: What were some of your influences for the House of Night school?
PC: South Intermediate High School in Broken Arrow! , Oklahoma! I just looked around me and wrote what I saw. I also write what I wish I could see, as in the amazing HoN facility and their very cool classes. I'd love to teach a Vampyre Sociology class!
Amazon.com: How has Kristin being in school affected the series as it's progressed? The scenes with friends hanging out and geeking out on movies in the dorm seem pretty familiar...
PC: When the series started Kristin was nineteen and was still living at home her first semester in college. And then when she did move out it certainly wasn't into a dorm that looked as cool as the House of Night dorms! But she does DEFINITELY geek out with her friends. (She's going to kill me for that…)
Amazon.com: When did the two of you decide to write a book together? How does your writing process work?
PC: I brought Kristin in while I was writing the first three chapters of
We're on book six of the series, and we have the process down. We do some brainstorming, then I write the first draft, often asking Kristin questions right in the manuscript or leaving blanks for her to fill in. Then I send the entire thing to her, and she goes through it, answering questions, filling in blanks, and asking me questions/making comments of her own. She sends it back to me and I go through it again. Then it's ready to go to St. Martin's and our lovely editor, Jennifer Weis. It sounds like a tedious process, but it's really very freeing for me. I can write whatever and know Kristin has my back.
Amazon.com: Zoey! has a few mother-daughter-like relationships--with her mom, her grandma, Neferet, Nyx. How much does your mother-daughter relationship inform your writing? Is it ever awkward?
PC: Hmm...that's a good question. Kristin and I have a unique writing relationship. Actually, I probably wouldn't even consider writing with anyone else--it's unusually easy with my daughter (perhaps because I can beat her?). She and I have always been close, and we have a very honest relationship. Talking with each other has never been a problem, so we're used to communicating. That helps a lot in a co-author situation.
Regarding the mother-daughter relationships in the book: clearly Zoey's relationship with her own mom is nothing like Kristin and mine. Sadly, both of us have met many Linda Heffers here in Oklahoma, which is why she is so easy--and disturbing--for us to write. When I write Nyx's words I often think about how I feel about Kristin, and then try to ! expand that to how this goddess would view the vampyres, espec! ially Zo ey, as her children.
We get the awkward question often because of the sexual tension in the books. Kristin and I do discuss the temperature of the books and the specific situations a lot. It doesn't feel awkward between us because we're used to communicating, and because we don't just stick sex in our series to be gratuitous. The sexual issues are there because they're realistic to teenagers. Yes, Zoey has several boyfriends--often at the same time. But in six books she has had sex once, and that was because she was manipulated and used by a charismatic adult. It wasn't awkward writing those parts with my daughter--we believe in the reality of the books and the points we make about mistakes and consequences.
Amazon.com: Each of the books sort of has its own personality. Chosen, for example, was more focused on the friends and the guys, and Untamed was much more deeply focused on folklore and goddess rituals. Do you thi! nk that's influenced by each of your interests, with Kristin having more influence on one book and P.C. showing up more in another? Or is that just the natural arc of the story?
PC: I think the shifting emphasis is because of the natural arc of the story. Think about your own life. Doesn't your focus shift from time to time? I know mine does. Actually, sometimes it feels like events happen in waves: lots of guy, no guys, friend stres, no friend stress, crazy stuff at school, kinda calm school, etc. So I guess fiction is just mimicking the patterns I see in life.
Amazon.com: Even though it has a satisfying ending (no spoilers!) Hunted certainly doesn't seem like the end of Zoey's story. What's next?
PC: Zoey has to save the world! And it's definitely a big job. Seriously, now that the dark influences that have been lurking on the periphery of Zoey's world have been brought out into th! e open, it's time to deal with them. Of course that's a lot ha! rder tha n "Okay, Z, kick their butts and save the world now!" sounds. Especially as there are many layers to the House of Night world and often good appears bad, and bad seems terribly attractive.
What if the hottest guy in the world was hiding a nameless evil, and all he wanted was you?
At the start of this heart-pounding new installment of the bestselling House of Night series, Zoey’s friends have her back again and Stevie Rae and the red fledglings aren’t Neferet’s secrets any longer. But an unexpected danger has emerged. Neferet guards her powerful new consort, Kalona, and no one at the House of Night seems to understand the threat he poses. Kalona looks gorgeous, and he has the House of Night under his spell. A past life holds the key to breaking his rapidly spreading influence, but what if this past life shows Zoey secrets she doesn’t want to hear and truths she can’t face?
On the run and holed up in Tulsa’s Prohibition-era tunnels, Zoey and her gang must discover a way to deal with something that might bring them all down. Meanwhile, Zoey has a few other little problems. The red fledglings have cleaned up well â€" they’ve even managed to make the dark, creepy tunnels feel more like home â€" but are they really as friendly as they seem? On the boyfriend front, Zoey has a chance to make things right with super-hot ex-, Erik, but she can’t stop thinking about Stark, the archer who died in her arms after one unforgettable night, and she is driven to try to save him from Neferet’s sinister influence at all costs. Will anyone believe the power evil has to hide among us?
Dare to enter the House of Night: WWW.HOUSEOFNIGHTSERIES.COM
Beyond Charlie Bartlett
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Atkinson has enjoyed some mainstream success stateside. He was the nervous minister ("...your awfully wedded wife") in Four Weddings and a Funeral, and the voice of Zazu in The Lion King. But he mainly enjoys cult status among British comedy aficionados as a founding member of Not the Nine O'Clock News and the star of the Black Adder series. B! ean is his crowning creation. In addition to all 14 episodes, this generous boxed set contains previously unaired sketches, Comic Relief appearances, and a segment about Bean's creation, which serves as a nifty introduction for the uninitiated. It also contains a preview for the new Mr. Bean animated series. This seems redundant. As this collection hilariously demonstrates, Bean is already animated enough. --Donald LiebensonRowan Atkinson (Bean, Love Actually, Johnny English) returns to his iconic role as the comical and endearing Mr. Bean in this outrageous comedy adventure! Mr. Bean (Atkinson) can't believe his luck when he wins a camcorder and an all-expense-paid vacatio Welcome back, Mr. Bean! After a too-long hiatus, it's a breath of fresh air to see you out and about, innocent as ever, unwitting in the havoc you wreak and clueless in the chaos you cause. In Mr. Bean's Holiday (the title echoes Jacques Tati's breezy 1953 classic Mr. Hulot's Hol! iday), the resourceful man-child Bean (Rowan Atkinson) win! s a chur ch raffle that packs him off to the beaches of the south of France. But getting there is all the funny, as he is detoured by one mishap after another. En route, he comes to the "aid" of a Cannes Film Festival judge's young son, who is separated (no thanks to Bean) from his father at the train station. Bean also stumbles upon a commercial shoot directed by a stereotypical egomaniacal American filmmaker (Willem Dafoe), and crosses paths with an aspiring actress (a charming Emma de Caunes) also on her way to Cannes. Mr. Bean's Holiday, an upgrade over the 1997 feature Bean, was a box-office smash around the world, but in the States, not so much. Here, the shock gag has replaced the sight gag, and this G-rated Holiday might be considered by more jaded viewers as out of step with contemporary tastes (unlike Borat, there is not a mean-spirited bone in Bean's gangly, malleable body). But in the classic tradition of the silent-movie clowns, Bean's visual ! comedy is universal and requires little translation (there are limited subtitles in this film). Younger children will find a kindred spirit in Bean, who exists in some kind of state of grace, whether trying to digest a disgusting seafood dinner or hilariously lip-syncing to an opera in a public square. --Donald Liebenson
Although it is no Bull Durham, For Love of the Game finds a solid and very believable role for Costner. The film is based on Michael Shaara's (The Killer Angels) stream-of-consciousness novel (the rough manuscript was found after his death 1988). The entire film takes place on Billy's day on the mound against the Yankees, a meaningless late-season game for the Tigers, but everything for Bil! ly. In flashbacks, he lingers over his long relationship with Jane and his baseball career (from World Series heroism to a career-threatening injury). His one viable link to the game at hand is his catcher, played winningly by John C. Reilly. Costner, like Chapel, is looking for one more great performance, but the film is too simplistic and loopy at times to resonate. The love story has an extra helping of cuteness, and legendary baseball announcer Vin Scully nearly takes on a leading role, waxing grandiloquent. It's no grand slam, but a solid double. --Doug ThomasBilly Chapel (Kevin Costner) is having a bad day. His girlfriend Jane (Kelly Preston, stunning as ever) says she's leaving, and his boss (Brian Cox) says he's selling the business and ace employee Billy may be out of job. Sounds like business as usual for an old-fashioned veteran. However, the business is baseball and for Billy Chapel, the 40-year old former all-star for the Detroit Tigers, it means his ca! reer--and his life--is at a crossroads.
Although it! is no < i>Bull Durham, For Love of the Game finds a solid and very believable role for Costner. The film is based on Michael Shaara's (The Killer Angels) stream-of-consciousness novel (the rough manuscript was found after his death 1988). The entire film takes place on Billy's day on the mound against the Yankees, a meaningless late-season game for the Tigers, but everything for Billy. In flashbacks, he lingers over his long relationship with Jane and his baseball career (from World Series heroism to a career-threatening injury). His one viable link to the game at hand is his catcher, played winningly by John C. Reilly. Costner, like Chapel, is looking for one more great performance, but the film is too simplistic and loopy at times to resonate. The love story has an extra helping of cuteness, and legendary baseball announcer Vin Scully nearly takes on a leading role, waxing grandiloquent. It's no grand slam, but a solid double. --Doug ThomasBilly Chapel (Ke! vin Costner) is having a bad day. His girlfriend Jane (Kelly Preston, stunning as ever) says she's leaving, and his boss (Brian Cox) says he's selling the business and ace employee Billy may be out of job. Sounds like business as usual for an old-fashioned veteran. However, the business is baseball and for Billy Chapel, the 40-year old former all-star for the Detroit Tigers, it means his career--and his life--is at a crossroads.
Although it is no Bull Durham, For Love of the Game finds a solid and very believable role for Costner. The film is based on Michael Shaara's (The Killer Angels) stream-of-consciousness novel (the rough manuscript was found after his death 1988). The entire film takes place on Billy's day on the mound against the Yankees, a meaningless late-season game for the Tigers, but everything for Billy. In flashbacks, he lingers over his long relationship with Jane and his baseball career (from World Series heroism to a career-threaten! ing injury). His one viable link to the game at hand is his ca! tcher, p layed winningly by John C. Reilly. Costner, like Chapel, is looking for one more great performance, but the film is too simplistic and loopy at times to resonate. The love story has an extra helping of cuteness, and legendary baseball announcer Vin Scully nearly takes on a leading role, waxing grandiloquent. It's no grand slam, but a solid double. --Doug ThomasBilly Chapel (Kevin Costner) is having a bad day. His girlfriend Jane (Kelly Preston, stunning as ever) says she's leaving, and his boss (Brian Cox) says he's selling the business and ace employee Billy may be out of job. Sounds like business as usual for an old-fashioned veteran. However, the business is baseball and for Billy Chapel, the 40-year old former all-star for the Detroit Tigers, it means his career--and his life--is at a crossroads.
Although it is no Bull Durham, For Love of the Game finds a solid and very believable role for Costner. The film is based on Michael Shaara's (The Ki! ller Angels) stream-of-consciousness novel (the rough manuscript was found after his death 1988). The entire film takes place on Billy's day on the mound against the Yankees, a meaningless late-season game for the Tigers, but everything for Billy. In flashbacks, he lingers over his long relationship with Jane and his baseball career (from World Series heroism to a career-threatening injury). His one viable link to the game at hand is his catcher, played winningly by John C. Reilly. Costner, like Chapel, is looking for one more great performance, but the film is too simplistic and loopy at times to resonate. The love story has an extra helping of cuteness, and legendary baseball announcer Vin Scully nearly takes on a leading role, waxing grandiloquent. It's no grand slam, but a solid double. --Doug Thomas"Get ready for fun!" (Leah Rozen, People) with the "feel good movie of the year!" (Clay Smith, Access Hollywood) Love Actually is the ultimate romantic comedy f! rom the makers of Bridget Jones's Diary and Notting Hill. Fun! ny, irre sistible and heartwarming, an all-star cast (Hugh Grant, Liam Neeson, Colin Firth and Emma Thompson, to name a few!) will take you on a breathtaking tour of love's delightful twists and turns. Fall under the spell of Love Actually and share the laughs and charm again and again.With no fewer than eight couples vying for our attention, Love Actually is like the Boston Marathon of romantic comedies, and everybody wins. Having mastered the genre as the writer of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time director Richard Curtis is just like his screenplays: He just wants to be loved, and he'll go to absurdly appealing lengths to win our affection. With Love Actually, Curtis orchestrates a minor miracle of romantic choreography, guiding a brilliant cast of stars and newcomers as they careen toward love and holiday cheer in London, among them the Prime Minister (Hugh Grant) who's smitten with! his caterer; a widower (Liam Neeson) whose young son nurses the ultimate schoolboy crush; a writer (Colin Firth) who falls for his Portuguese housekeeper; a devoted wife and mother (Emma Thompson) coping with her potentially unfaithful husband (Alan Rickman); and a lovelorn American (Laura Linney) who's desperately attracted to a colleague. There's more--too much more--as Curtis wraps his Christmas gift with enough happy endings to sweeten a dozen other movies. That he pulls it off so entertainingly is undeniably impressive; that he does it so shamelessly suggests that his writing fares better with other, less ingratiating directors. --Jeff ShannonAcademy Award(R)-winner Denzel Washington (Best Actor, 2001, TRAINING DAY) stars in this must-see story about a convict given one shot at a second chance to be a father! With promises of a reduced sentence, Jake Shuttlesworth (Washington) is granted temporary release from state prison in order to persuade the nation's top ! basketball recruit ... his estranged son, Jesus (Ray Allen of ! NBA's Mi lwaukee Bucks), to play ball for the governor's alma mater! But just as Jesus faces intense pressures and irresistible temptations contemplating his big decision, Jake is also forced to consider not only what's best for himself ... but what's best for his son! With a groundbreaking soundtrack by the legendary Public Enemy -- plus great cameos from John Turturro and basketball personalities Dick Vitale, John Thompson, Dean Smith, and more, HE GOT GAME is a critically acclaimed hit you don't want to miss!As a filmmaker and passionate fan of basketball, Spike Lee was the perfect director for this ambitious and heartfelt sports drama, which brought out the best in both Lee and his well-chosen cast. In his third film for Lee, Denzel Washington plays Jake Shuttlesworth, who is in prison for the manslaughter of his wife. His estranged son Jesus (well played by Milwaukee Bucks basketball player Ray Allen) is the nation's best high school basketball star, and Jake receives a compelli! ng offer from the state's governor: If Jake can convince Jesus to sign a letter of intent to attend Big State University, the governor will reduce his sentence. Lee turns this back-room bargain into a fascinating examination of capitalism in college and professional sports, but the film also works as the moving story of a father's desperate attempt to regain his son's respect. Lee handles the basketball angle with an insider's awareness, and takes a few stylistic risks (including a memorable final image) that pay off with considerable emotional effect. He Got Game fully explores the visual poetry of basketball and the greed that fuels this particular vision of the American dream, but Lee never loses sight of the sport's inherent beauty, or the higher priorities of redemption and family that form the solid foundation of this exceptional film. --Jeff Shannon
Stills from Eastern Promises (click for larger image). Photos by Peter Mountain.
 Vincent Cassel (left) and Viggo Mortensen (right) star in David Cronenberg's EASTERN PROMISES, a Focus Features release.
|  Armin Mueller-Stahl (center) stars in David Cronenberg's EASTERN PROMISES, a Focus Features release. |  Viggo Mortensen (left) and Naomi Watts (right) star in David Cronenberg’s EASTERN PROMISES, ! a Focus Features release. |
 Viggo Mortensen (left) and Naomi Watts (right) star in David Cronenberg’s EASTERN PROMISES, a Focus Features release. |  Naomi Watts stars in David Cronenberg's new thriller EASTERN PROMISES, a Focus Features release. |  Armin Mueller-Stahl (left) and Naomi Watt (right) star in David Cronenberg's EASTERN PROMISES, a Focus Features release. |
 Mina E. Mina (left), Vincent Cassel (cen! ter) and Viggo Mortensen (right) star in David Cronenberg's |  Vincent Cassel stars in David Cronenberg’s EASTERN PROMISES, a Focus Features release. |  Viggo Mortensen stars in David Cronenberg’s EASTERN PROMISES, a Focus Features release. |
Stills from Eastern Promises (click for larger image). Photos by Peter Mountain.
Vincent Cassel (left) and Viggo Mortensen (right) star in David Cronenberg's EASTERN PROMISES, a Focus Features release.
| Armin Mueller-Stahl (center) stars in David Cronenberg's EASTERN PROMISES, a Focus Features release. | Viggo Mortensen (left) and Naomi Watts (right) star in David Cronenberg’s EASTERN PROMISES, a Focus Features release. |
| Viggo Mortensen (left) and Naomi Watts (right) star in David Cronenberg’s EASTERN PROMISES, a Focus Features release. | Naomi Watts stars in David Cronenberg's new thriller EASTERN PROMISES, a Focus Features release. | !  Armin Mueller-Stahl (left) and Naomi Watt (right) star in David Cronenberg's EASTERN PROMISES, a Focus Features release. |
| Mina E. Mina (left), Vincent Cassel (center) and Viggo Mortensen (right) star in David Cronenberg's EASTERN PROMISES, a Focus Features release. | Vincent Cassel stars in David Cronenberg’s EASTERN PROMISES, a Focus Features release. | Viggo Mortensen stars in David Cronenberg’s EASTERN PROMISES, a Focus Features release. |
Stills from Eastern Promises (click for la! rger image). Photos by Peter Mountain.
Vincent Cassel (left) and Viggo Mortensen (right) star in David Cronenberg's EASTERN PROMISES, a Focus Features release.
| Armin Mueller-Stahl (center) stars in David Cronenberg's EASTERN PROMISES, a Focus Features release. | Viggo Mortensen (left) and Naomi Watts (right) star in David Cronenberg’s EASTERN PROMISES, a Focus Features release. |
 Viggo Mortensen (left) and Naomi Watts (right) star in David Cronenberg’s EASTERN PROMISES, a Focus Features release. | Naomi Watts stars in David Cronenberg's new thriller EASTERN PROMISES, a Focus Features release. | Armin Mueller-Stahl (left) and Naomi Watt (right) star in David Cronenberg's EASTERN PROMISES, a Focus Features release. |
| Mina E. Mina (left), Vincent Cassel (center) and Viggo Mortensen (right) star in David Cronenberg's EASTERN PROMISES, a Focus Features release. |  Vincent Cassel stars in David Cronenberg’s EASTERN PROMISES, a Focus Features release. | Viggo Mortensen stars in David Cronenberg’s EASTERN PROMISES, a Focus Features release. |
Stills from Eastern Promises (click for larger image). Photos by Peter Mountain.
Vincent Cassel (left) and Viggo Mortensen (right) star in David Cronenberg's EASTERN PROMISES, a Focus Features release.
| Armin Muelle! r-Stahl (center) stars in David Cronenberg's EASTERN PROMIS! ES, a Focus Features release. | Viggo Mortensen (left) and Naomi Watts (right) star in David Cronenberg’s EASTERN PROMISES, a Focus Features release. |
| Viggo Mortensen (left) and Naomi Watts (right) star in David Cronenberg’s EASTERN PROMISES, a Focus Features release. | Naomi Watts stars in David Cronenberg's new thriller EASTERN PROMISES, a Focus Features release. | Armin Mueller-Stahl (left) and Naomi Watt (right) star in David Cronenber! g's EASTERN PROMISES, a Focus Features release. |
| Mina E. Mina (left), Vincent Cassel (center) and Viggo Mortensen (right) star in David Cronenberg's EASTERN PROMISES, a Focus Features release. | Vincent Cassel stars in David Cronenberg’s EASTERN PROMISES, a Focus Features release. | Viggo Mortensen stars in David Cronenberg’s EASTERN PROMISES, a Focus Features release. |
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