Flame and Citron - Movie Poster - 11 x 17 Inch (28cm x 44cm)

• This poster may have a border as the image contained may not be 11 x 17 inches.
• This poster measures approx. 11 x 17 inches from corner to corner.
• Rolled and shipped in a sturdy tube.
• This poster is from Flame and Citron (2008)

Based On Actual Events
 
Copenhagen, 1944: As the Nazi occupation of Denmark rages, two Resistance fighters a young idealist codenamed Flame (Thure Lindhardt of INTO THE WILD) and tense family man Citron (Mads Mikkelsen of CASINO ROYALE) become the underground s most proficient killers of collaborators and sympathizers. The SS is hunting them. They trust only each other. But in a time where fear and mercy must live in the shadows, will a mysterious woman and a new assignment to assassinate the head of the Gestapo lead them to the deadliest places of all? Christian Berkel (DOWNFALL) co-stars in this white-knuckle noir thriller based on the! Holger Danske s most infamous agents from co-writer/director Ole Christian Madsen that critics worldwide hail as an explosive saga of justice, vengeance and the moral complexities of true heroism.

A taut, handsome production, Roger Ebert, Chicago Sun-TimesUK Import Blu-Ray/Region All pressing. Please note the special features are in the PAL format and thus not viewable on US PS3/Standard BR players. The main feature is fully viewable on all players though.

Copenhagen 1944. While the Danish population hopes for a swift end to the war, freedom fighters Bent Faurschou-Hviid, a.k.a. Flame and Jørgen Haagen Schmith, a.k.a. Citron, secretly put their lives at stake fighting for the Holger Danske resistance group. The fearless and uncompromising Flame is a confirmed anti-fascist and dreams of the day when the group will assemble and openly launch an armed counterattack at the occupying power. The more sensitive family man, Citron, used to work primarily as a driv! er for Flame, but now finds himself becoming more deeply invol! ved in t he group s work. When their immediate superior, Aksel Winther, orders them into action against two German Abwehr officers, events start to get out of hand. Flame engages in conversation with the talented and intelligent Colonel Gilbert and for first time, Flame calls the soundness of the order he is about to execute into question...Something feels terribly wrong. Furthermore, when suspicion turns to his girlfriend, the beautiful and mysterious courier, Ketty, Flame begins to spot the outline of a different and mostly hidden agenda. Can Ketty be trusted? Can Winther? And who really works for whom? While their doubts gnaw at them, Flame and Citron come to feel that they are on shaky ground. Desperate, disillusioned and with a sense of having been betrayed by their superiors, they decide only to trust each other and concentrate their efforts on getting to the much hated and feared chief of the Gestapo, Hoffmann. The film is based on actual events and eyewitness accounts from so! me of the people who experienced Bent Faurschou-Hviid and Jørgen Haagen Schmith at very close range.Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book contains chapters focused on Copenhagen in popular culture, Copenhagen in fiction, and Films set in Copenhagen.MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guara! nteed when you buy from MovieGoods on Amazon.

Read more »

Boynton Beach Club - Framed Movie Poster - 11 x 17 Inch (28cm x 44cm)

• You are looking at a beautiful, professionally framed poster.
• This frame is made specifically for 11 x 17 posters.
• Packaged and shipped in a sturdy corrugated box.
• Clean and sharp looking aluminum frame with clear plexiglass.
• This poster is from Boynton Beach Club (2005)

Recently widowed Marilyn (Brenda Vaccaro), still reeling over the sudden death of her husband, finds an unexpected new circle of friends when she accepts an invitation to join The Boynton Beach Bereavement Club. While not ready to embark on a relationship herself, she is amused to realize that many of her contemporaries are actively looking for love. Lois (Dyan Cannon) is being courted by a younger man (Michael Nouri), while Harry (Joseph Bologna) tries internet dating and encourages his friend Jack (Len Cariou) to pursue a romance with the mysterious Sandy (Sally Kellerman). The Boynton Bea! ch Club proves that 60 IS the new 40 and you’re never too old to fall in love.Early in the charming romantic comedy Boynton Beach Club, one randy 70-something guy makes a heartfelt toast to "sex after 60"--in all of its untidy, slightly saggy, unpredictable glory. And so is this film, by Susan Seidelman, as much a toast to love among the retiree set as her Desperately Seeking Susan was a valentine to Madonna and the early '80s hipster scene. The all-star cast, including Joe Bologna, Dyan Cannon, Sally Kellerman, Brenda Vaccaro, and Michael Nouri, explore the nuances of grief, loss, heartbreak, and horniness in a retirement community in Boynton Beach, Fla. The usual jokes about senior communities--the outnumbering of men by women, the orchestrated community-center social lives, the bad driving--are here, but with a twist. Seidelman is just as interested in showing that some things, like schoolgirl crushes, one-night-stand cads, and finding love when you think! you're not even looking, are as universal whether you're 17 o! r 70. Wh ile some of the cast seem almost distracting at the beginning of the film, because of apparently drastic plastic surgery (Cannon and Kellerman, especially), by the film's end they blend in with the rest of the cast, just as facelifts coexist with sagging jawlines in real Florida towns. Boynton Beach Club has a big heart, and the heart, thankfully, never shows its age. --A.T. HurleyEarly in the charming romantic comedy Boynton Beach Club, one randy 70-something guy makes a heartfelt toast to "sex after 60"--in all of its untidy, slightly saggy, unpredictable glory. And so is this film, by Susan Seidelman, as much a toast to love among the retiree set as her Desperately Seeking Susan was a valentine to Madonna and the early '80s hipster scene. The all-star cast, including Joe Bologna, Dyan Cannon, Sally Kellerman, Brenda Vaccaro, and Michael Nouri, explore the nuances of grief, loss, heartbreak, and horniness in a retirement community in Boynton Bea! ch, Fla. The usual jokes about senior communities--the outnumbering of men by women, the orchestrated community-center social lives, the bad driving--are here, but with a twist. Seidelman is just as interested in showing that some things, like schoolgirl crushes, one-night-stand cads, and finding love when you think you're not even looking, are as universal whether you're 17 or 70. While some of the cast seem almost distracting at the beginning of the film, because of apparently drastic plastic surgery (Cannon and Kellerman, especially), by the film's end they blend in with the rest of the cast, just as facelifts coexist with sagging jawlines in real Florida towns. Boynton Beach Club has a big heart, and the heart, thankfully, never shows its age. --A.T. HurleyMovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and! laminated posters. Customer satisfaction is always guaranteed! when yo u buy from MovieGoods on Amazon.

Read more »

The Horse Whisperer

• After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl s desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this, rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches

#1 NEW YORK TIMES BESTSELLER

His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.

The Horse Whisperer is a! story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear upon reading the touching tale.

One morning while teenage Grace Maclean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soot! hing words and a gentle touch. Just when it seems he can't be! found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.

Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act! as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1 NEW YORK TIMES BESTSELLER

His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.The Horse Whisperer is a story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear up! on reading the touching tale.

One morning while teenage ! Grace Ma clean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soothing words and a gentle touch. Just when it seems he can't be found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married ! women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.

Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1 NEW YORK TIMES ! BESTSELLER

His name is Tom Booker. His voice can ca! lm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.Twelve-year-old Winnie Willis has a way with horses. She can gentle the wildest mare, but other parts of her life don't always come as easily. Along with her dad and sister, Lizzy, Winnie is learning how to live without her mom, who was also a natural horse gentler. As Winnie teaches her horses about unconditional love and blind trust, God shows Winnie that he can be trusted too. Readers will be hooked on the series' vivid characters, whose quirky personalities fill Winnie's life with friendship and adventure.

In #1 Wild Thing, Winnie's fearful heart finally begins to trust God again as she tries to gen! tle the horse of her dreams, Wild Thing.No Description Available.
Genre: Soundtracks & Scores
Media Format: Compact Disk
Rating:
Release Date: 7-APR-1998Academy Award(R)-winner Robert Redford (Best Director, 1980, ORDINARY PEOPLE) stars with Adademy Award(R)-nominee Kristin Scott Thomas (Best Actress, 1996, THE ENGLISH PATIENT) in this landmark epic adapated from one of the most acclaimed novels of our time! After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl's desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches the lives of the people around him! Featuring Hollywood favorites Sam Neill (JURASSIC PARK) and Oscar(R)-winner Dianne Wiest (Best Suppo! rting Actress, 1994, BULLETS OVER BROADWAY) in a superb cast -! - critic s and moviegoers alike were captivated by this powerful motion picture event!Although it's best viewed on a big theatrical screen to take full advantage of Robert Richardson's breathtaking widescreen cinematography, it seems likely that most people will see this classy romance in the comfort of their own homes. Adapted from the bestseller by Nicholas Evans and directed by Robert Redford, the film did respectable business at the box-office, but it was too sprawling and too soapy to be a bona fide hit. Redford stars as the title character, a Montana rancher named Tom Booker, who possesses the specialized talent of healing traumatized horses through careful and affectionate rehabilitation. He gets his most challenging case when he's sought out by a fast-lane New York magazine editor (Kristin Scott Thomas, in a role modeled after former New Yorker editor Tina Brown) whose daughter (Scarlett Johansson) was injured and traumatized by an accident that nearly killed her favor! ite horse. When mother, daughter, and horse arrive at Booker's ranch, the big-city editor falls in love with the serene rancher and faces the painful decision of whether to stay in Montana or return to her husband (Sam Neill) in New York. Some may find this to be much ado about nothing, and comparisons to The Bridges of Madison County are inevitable, but Redford's directorial approach offers the kind of graceful stature, tenderness, and intelligence required to elevate the simple story. The film takes all the time it needs to let its characters heal and make their important decisions, and that alone makes it a refreshing alternative to the frantic pace of most big-studio productions. --Jeff Shannon

Read more »

Frozen

• FROZEN (DVD MOVIE)

A typical day on the slopes turns into a chilling nightmare for three snowboarders when they get stranded on the chairlift before their last run. As the ski patrol switches off the night lights, they realize with growing panic that they’ve been left behind, dangling high off the ground with no way down.

Snow-sport enthusiasts, take note: Adam Green's unsettling thriller Frozen suggests that abiding by the rules and regulations of your local ski resort might not only be polite, but essential to your health. Green's hapless heroes--nice guy Dan (Kevin Zegers, Transamerica), his best pal Lynch (Shawn Ashmore, the X-Men franchise), and Dan's new girlfriend Parker (newcomer Emma Bell)--decided to cut a few corners in pursuit of more time on the slopes. Miscommunication with the staff results in the trio getting stuck on a lift some 60 feet in the a! ir just moments before the resort closes for a three-day weekend. The hope for rescue soon dwindles, and the trio faces the decision to either endure the elements or somehow make their way to the ground without injury. All of the gruesome possibilities inherent to the situation--from frostbite and broken limbs to a pack of voracious wolves--are explored in unpleasant detail, but what sets Frozen apart from a simple splatterfest is the quality of the performances, especially Bell, who rises above her character's initial superficiality to present a wholly sympathetic character. Fans of Green's first film, the abysmal slasher tribute Hatchet, might find the pacing glacial (ahem), but those who admired his sophomore effort, the psychological thriller Spiral, will appreciate his attention to pacing and suspense, which puts Frozen on par with the very similar Open Water. The DVD includes commentary by Green and his stars, along with deleted scen! es and a wealth of behind-the-scenes featurettes focusing on c! onceptio n of the project, as well as the crew's struggles with the genuinely contentious weather at the Utah filming location. --Paul Gaita

Read more »

Honeydripper

• From Oscar® nominated director, John Sayles, comes an electrifying and vivid rock 'n' roll fable. When Tyrone, owner of the Honeydripper lounge, is faced with having to shut down his juke joint, his hopes rest on one man the famous Guitar Sam. It's a make or break weekend for the Honeydripper, this better be some Saturday night! With exquisite performances by Danny Glover, Char

Nicole Beharie (The Express), Will Patton (Entrapment, The Postman), Charles Dutton (TV's Roc, Mimic) and Alfre Woodard (TV's Desperate Housewives, Primal Fear) star in this gripping true-life story. Falsely accused of distributing narcotics in a school zone, Dee Roberts (Beharie) is offered a deal she can't refuse: plead guilty and accept a 10-year suspended sentence. The alternative: risk serving 16-to-25 in jail. Realizing a conviction would ru! in her life, Dee decides to fight back. Suing the DA for racial discrimination, Dee battles impossible odds in a case that will not only change her life but the laws of Texas as well.American Violet may be based on the story of outrageous injustices committed against Regina Kelly of Hearne, Texas, but that does not make it a good film. It is, at best, a bad film with an important message. American Violet is about a single mother of four, Dee Roberts (Nicole Beharie), who is wrongly convicted of drug charges due to police racism and corruption. As she struggles to stay out of prison with the help of her mother, Alma (Alfre Woodard), Dee exemplifies a stalwart woman who refuses to plead guilty when offered a plea bargain. While names of characters and the town itself are changed, the story in American Violet is allegedly altered only slightly in hopes of maintaining its tragic truth, that a plea-bargain system in Texas forced, in this case, impoverished a! nd sometimes innocent African Americans to accept guilty charg! es and t heir negative aftereffects. American Violet's melodramatic sensibility attempts to spark the same indignation that fuels ACLU lawyer David Cohen (Tim Blake Nelson) to embark on a lawsuit against the head racist, district attorney Calvin Beckett (Michael O'Keefe). Cohen, with the help of a former narcotics officer, Sam Conroy (Will Patton), discovers enough evidence to disturb any viewer. While it is crucial to have artful dialogue about this politically offensive topic, American Violet is not finely scripted or cinematically engaging enough to elevate it above second-hand documentary. Still, since the film does cover meaningful territory, there may be a place for it in classrooms, or it may inspire others to work on further exposing gross injustice for the benefit of our society. --Trinie DaltonNicole Beharie (The Express), Will Patton (Entrapment, The Postman), Charles Dutton (TV's Roc, Mimic) and Alfre Wooda! rd (TV's Desperate Housewives, Primal Fear) star in this gripping true-life story. Falsely accused of distributing narcotics in a school zone, Dee Roberts (Beharie) is offered a deal she can't refuse: plead guilty and accept a 10-year suspended sentence. The alternative: risk serving 16-to-25 in jail. Realizing a conviction would ruin her life, Dee decides to fight back. Suing the DA for racial discrimination, Dee battles impossible odds in a case that will not only change her life but the laws of Texas as well.American Violet may be based on the story of outrageous injustices committed against Regina Kelly of Hearne, Texas, but that does not make it a good film. It is, at best, a bad film with an important message. American Violet is about a single mother of four, Dee Roberts (Nicole Beharie), who is wrongly convicted of drug charges due to police racism and corruption. As she struggles to stay out of prison with the help of her mot! her, Alma (Alfre Woodard), Dee exemplifies a stalwart woman wh! o refuse s to plead guilty when offered a plea bargain. While names of characters and the town itself are changed, the story in American Violet is allegedly altered only slightly in hopes of maintaining its tragic truth, that a plea-bargain system in Texas forced, in this case, impoverished and sometimes innocent African Americans to accept guilty charges and their negative aftereffects. American Violet's melodramatic sensibility attempts to spark the same indignation that fuels ACLU lawyer David Cohen (Tim Blake Nelson) to embark on a lawsuit against the head racist, district attorney Calvin Beckett (Michael O'Keefe). Cohen, with the help of a former narcotics officer, Sam Conroy (Will Patton), discovers enough evidence to disturb any viewer. While it is crucial to have artful dialogue about this politically offensive topic, American Violet is not finely scripted or cinematically engaging enough to elevate it above second-hand documentary. Still, since the film ! does cover meaningful territory, there may be a place for it in classrooms, or it may inspire others to work on further exposing gross injustice for the benefit of our society. --Trinie DaltonFrom Oscar® nominated director, John Sayles, comes an electrifying and vivid rock 'n' roll fable. When Tyrone, owner of the Honeydripper lounge, is faced with having to shut down his juke joint, his hopes rest on one manâ€"the famous Guitar Sam. It's a make or break weekend for the Honeydripper, this better be some Saturday night!

With exquisite performances by Danny Glover, Charles S. Dutton, Stacy Keach, Mary Steenburgen and Sean Patrick Thomas; and featuring musicians Keb' Mo' and Dr. Mable Johnâ€"Honeydripper is an award winning film, full of great music and plenty of soul.Music has often played a significant part in John Sayles' stories, but in Honeydripper it largely is the story, as the veteran writer-director’s 2007 film depicts a significant (if myt! hical) turning point when the past reluctantly gave way to the! future. The year is 1950. In the somewhat ironically-named town of Harmony, Alabama, old school blues pianist Tyrone "Pinetop" Purvis (Danny Glover) and his funky roadhouse, the Honeydripper, are on the skids, rapidly losing customers to the joint next door, where young people are flocking to hear more modern sounds. Against his better judgment, Pinetop dismisses his dignified but out-of-date singer (played by Dr. Mable John, one of the several real musicians who lend the film considerable authenticity) and books "New Orleans sensation" Guitar Sam, hoping to save his club from foreclosure. But Guitar Sam proves to be as elusive as Godot, and as the big night approaches, Pinetop is running out of ideas. Enter young Sonny Blake (Gary Clark Jr.), who ambles into town with his newfangled, self-constructed electric guitar and proceeds to rock the house with a style that suggests a combination of T-Bone Walker and Chuck Berry and effectively ushers in the rock 'n' roll era. Story-wise, t! hat's about it. This is a character-driven film, and there are a lot of good ones, including Lisa Gay Hamilton as Tyrone’s conflicted wife, Charles Dutton as his partner, and Stacey Keach as the corrupt local lawman. It's also a film loaded with metaphors and symbols, including the electric guitar as the dividing line between old and new and blues musician Keb' Mo' as a kind of one-man Greek chorus, dispensing homilies before disappearing into the shadows. The pace is leisurely, the dialogue colorful, and Sayles (who not only edited the film but has a small acting role as well) once again shows himself to be a modest master at creating movies for those looking for good, no-frills entertainment. A 30-minute making-of featurette and cast interviews are the principal bonus features. --Sam Graham

Read more »

Stanley 51-621 16-Ounce Curve Claw Fiberglass Hammer

• Fiberglass handle absorbs shock and vibration
• Textured rubber ensures a comfortable, secure grip
• Fiberglass handle minimizes vibrations and reduces breakage vs. wood
• Heat treated and rim tempered for durability and safety

Forged high carbon steel head for durability. Fiberglass handle absorbs shocks and vibrations. Diamond pattern grip.
No. 51 621: 16 oz. claw hammer
No. 51 625: 16 oz. rip hammer
No. 51 627: 20 oz. rip hammer

Read more »

Deathwatch

• DVD Details: Actors: Jamie Bell, Ruaidhrí Conroy, Mike Downey, Laurence Fox, Roman Horak
• Directors: Michael J. Bassett
• Format: Closed-captioned, Dolby, DVD, NTSC. Region: Region 1 (U.S. and Canada only)
• Aspect Ratio: 2.35:1; Number of discs: 1; Studio: Lions Gate
• DVD Release Date: June 22, 2004; Run Time: 94 minutes

BELOW - DVD MovieOn what was supposed to be a routine rescue mission during World War II, the submarine USS Tiger Shark picks up three survivors of a U-boat attack. But the crew begins to noticeâ€"while trapped together in the sub's narrow corridors and constricted spacesâ€"that the visitors seem to spark a series of chilling, otherworldly occurrences. Starring Hollywood favorites Olivia Williams (TV's Dollhouse), Zach Galifianakis (The Hangover Part II), Jason Flemyng (Clash of the Titans), Bruce Greenw! ood (Barney's Version) and Matthew Davis (TV's The Vampire Diaries).Inspired by the vintage thrillers of Val Lewton and Jacques Tourneur, Below is a superbly crafted spookfest primed for cult-favorite status. As he did with The Arrival and Pitch Black, director David Twohy revitalizes a B-movie staple--in this case, the World War II submarine thriller--by turning it into a nerve-wracking funhouse of smoke and mirrors, where chilling visions tease the brain and stir paranoia among a close-knit group of terrified characters. When a U.S. sub takes on three survivors from a sinking British ship, its captain (Bruce Greenwood) uncovers secrets while concealing his own. As the sub's recent history unfolds, its crew is increasingly haunted by ghostly images, fleeting and subliminal, while the threat of German attack looms ominously overhead. More of a mood piece than a truly satisfying thriller, Below favors tense atmosphere over! cohesive plotting, but it's so visually captivating, and so t! autly ac ted by a fine ensemble cast, that its narrative flaws are easily forgiven. --Jeff ShannonIt's Mitchum vs. Jurgens as the commanders of an American destroyer and a German U-boat play a deadly game of cat and mouse.In The Enemy Below Robert Mitchum and Curt Jurgens are respectively captains of a U.S. destroyer and a German U-boat whose vessels come into conflict in the South Atlantic. Both are good men with a job to do, the script noting Jurgens' distaste for Hitler and the Nazis and engaging our sympathy with the German sailors almost as much as the Americans. Made at the height of the cold war of the 1950s, the film delivers a liberal message of co-operation wrapped inside some spectacular action scenes and a story which builds to a tense and exciting, moving finale. --Gary S. DalkinThree quarters of her crew are deep sea miners, geneoids, humans designed with aquatic traits that have created creatures of such beauty that Victoria can’t help but be dra! wn to them, particularly the merman, Raphael. When he claims her as his companion, he places her in an untenable position, but Victoria quickly discovers that the rules set down by the company that has betrayed them all are of no concern to her when it comes to Raphael, and that she is just as determined to have him as the company is to part them forever.


The Romance Studio
Reviewed by Sara Sawyer
Overall Rating: 5 Hearts!

Ms. O'Connor weaves a marvelous futuristic and thrilling book. This novel captures your attention from the first page as each character imbeds themselves into your psyche. Raphael is a genetic experiment that understands that most of the "pure" humans rank him somewhere below themselves, yet above fish. While he does understand this, he does not accept it. Raphael is a strong, beautiful and supremely complex man and a perfect counterpart to Victoria's rule-abiding, open minded self. Together the main characters make ! the story come alive. The threats, the insecurities, the myste! ry that surrounds Kay and its blood-colored water is enthralling and well worth the journey.


Three quarters of her crew are deep sea miners, geneoids, humans designed with aquatic traits that have created creatures of such beauty that Victoria can’t help but be drawn to them, particularly the merman, Raphael. When he claims her as his companion, he places her in an untenable position, but Victoria quickly discovers that the rules set down by the company that has betrayed them all are of no concern to her when it comes to Raphael, and that she is just as determined to have him as the company is to part them forever.


The Romance Studio
Reviewed by Sara Sawyer
Overall Rating: 5 Hearts!

Ms. O'Connor weaves a marvelous futuristic and thrilling book. This novel captures your attention from the first page as each character imbeds themselves into your psyche. Raphael is a genetic experiment that understands that most of the "pure" humans rank him! somewhere below themselves, yet above fish. While he does understand this, he does not accept it. Raphael is a strong, beautiful and supremely complex man and a perfect counterpart to Victoria's rule-abiding, open minded self. Together the main characters make the story come alive. The threats, the insecurities, the mystery that surrounds Kay and its blood-colored water is enthralling and well worth the journey.


DEATHWATCH - DVD Movie

Read more »

The Amityville Horror Poster 27x40 James Brolin Margot Kidder Rod Steiger

• Approx. Size: 27 x 40 Inches - 69cm x 102cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• The Amityville Horror Style A 27 x 40 Inches Poster
• Packaged with care and shipped in sturdy reinforced packing material

FOR USE IN SCHOOLS AND LIBRARIES ONLY.There's no place like home...for bloodcurdling horror! James Brolin, Margot Kidder and Academy AwardÂ(r) winner* Rod Steiger fall prey to the powers of darkness in this spine-tingling tale ofa house possessed by unspeakable evil. One of the most talked-about haunted-house stories of all time, The Amityville Horror will hit you where you live. For George and Kathy Lutz, the colonial home on the river's edge seemed ideal: quaint, spacious and amazingly affordable. Of course, six brutal murders had taken place there just! a year before, but houses don't have memories...ordo they? Soon the Lutz dream house becomes a hellish nightmare, as walls begin to drip blood and satanic forces threaten to destroy them. Now the Lutzes must try to escape or forfeit their livesand their souls! *1967: Actor, In the Heat of the NightBased on a bestselling, allegedly nonfiction book about haunted goings-on in a Long Island house (The Amityville Horror Conspiracy), this rather cheesy horror movie is more silly than unsettling. James Brolin and Margot Kidder star as newlyweds who move into the empty home and are gradually affected by the legacy of a murder committed on the premises. Rod Steiger is a priest who can tell what's up and gets dispatched in a rather ugly way. Director Stuart Rosenberg can't lift the action above a certain level of tawdriness, and the audience ends up watching the horror from a distance instead of feeling involved. In the wake of The Exorcist, this 1979 spooker seemed l! ike a no-brainer knockoff--and still does. --Tom Keogh ! Based on a bestselling, allegedly nonfiction book about haunted goings-on in a Long Island house (The Amityville Horror Conspiracy), this rather cheesy horror movie is more silly than unsettling. James Brolin and Margot Kidder star as newlyweds who move into the empty home and are gradually affected by the legacy of a murder committed on the premises. Rod Steiger is a priest who can tell what's up and gets dispatched in a rather ugly way. Director Stuart Rosenberg can't lift the action above a certain level of tawdriness, and the audience ends up watching the horror from a distance instead of feeling involved. In the wake of The Exorcist, this 1979 spooker seemed like a no-brainer knockoff--and still does. --Tom Keogh House of Fear: An Anthology of Haunted House Stories

The tread on the landing outside the door, when you know you are the only one in the house. The wind whistling through the eves, carrying the voices of the dead. The figure glimpsed br! iefly through the cracked window of a derelict house.

Editor Jonathan Oliver brings horror home with a collection of haunted house stories by some of the finest writers working in the horror genre, including Joe R. Lansdale, Sarah Pinborough, Lisa Tuttle, Christopher Priest, Adam L. G. Nevill, Nicholas Royle, Chaz Brenchley, Christopher Fowler, Gary Kilworth, Weston Ochse, Eric Brown, Tim Lebbon, Nina Allan, Stephen Volk, Paul Meloy and more.
House of Fear: An Anthology of Haunted House Stories

The tread on the landing outside the door, when you know you are the only one in the house. The wind whistling through the eves, carrying the voices of the dead. The figure glimpsed briefly through the cracked window of a derelict house.

Editor Jonathan Oliver brings horror home with a collection of haunted house stories by some of the finest writers working in the horror genre, including Joe R. Lansdale, Sarah Pinborough, Lisa Tuttle, Christopher Prie! st, Adam L. G. Nevill, Nicholas Royle, Chaz Brenchley, Christo! pher Fow ler, Gary Kilworth, Weston Ochse, Eric Brown, Tim Lebbon, Nina Allan, Stephen Volk, Paul Meloy and more.
The Amityville Horror reproduction poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, poster and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

Read more »

Frankie & Johnny Are Married

• In a hilariously misguided attempt to save his rocky marriage, Director Michael Pressman casts his wife opposite hit-shot actor Alan Rosenberg in a new play. But when Rosenberg can t differentiate between stage and real-life love scenes, it s up to Pressman to fix his marriage and keep the show on the road. Frankie & Johnny Are Married is a smart, witty romantic comedy that will touch anyone who s

In a hilariously misguided attempt to save his rocky marriage, Director Michael Pressman casts his wife opposite hit-shot actor Alan Rosenberg in a new play. But when Rosenberg can’t differentiate between stage and real-life love scenes, it’s up to Pressman to fix his marriage and keep the show on the road. Frankie & Johnny Are Married is a smart, witty romantic comedy that will touch anyone who’s been in a relationship.

Read more »