Humpday

• It s been a decade since Ben (Duplass) and Andrew (Leonard) were the bad boys of their college campus. Ben has settled down and found a job, wife, and home. Andrew took the alternate route as a vagabond artist, skipping the globe from Chiapas to Cambodia. When Andrew shows up unannounced on Ben s doorstep, they easily fall back into their old dynamic of macho one-upmanship. Late into the night at

It's been a decade since Ben (Duplass) and Andrew (Leonard)
were college bad boys. Ben is living contently with a good job and a great wife, until his old buddy Andrew shows up on his doorstep late one night. Andrew, who lives as a vagabond artist, invites Ben out to a wild party. Excessive drinking
combined with the irrational need to oneup each other, leads to a mutual dare that locks them into entering an
amateur porn contest together.A bromantic comedy par excellence, Humpday push! es the concept of male bonding and male competition (so often intertwined) to its end point. Two old buddies, Ben (Mark Duplass) and Andrew (Joshua Leonard), reunite after a few years' time. Mark is living the bourgeois life in Seattle, with a home, a wife (Alycia Delmore), and a responsible job. Andrew's just blown in from vagabonding around Mexico, and his bohemian cred is as thick as his beard. When the buds drunkenly vow to participate in a local amateur porn-movie contest with themselves as stars, the stage is set for a game of staredown: neither guy wants to be the first to blink and admit he isn't quite open-minded or free-swinging enough for the stunt. (One large roadblock: Ben needs to actually convey the information about the film project to his wife, a dilemma that leads to some of the movie's funniest scenes.) Director Lynn Shelton works in an improvisatory style, figuring out the dialogue with the actors and creating a loose, frowzy atmosphere within scenes. Th! at sense of verisimilitude helps sell the whopper of a premise! , but wh at's even more impressive is Shelton's laser-like sense of male insecurity and rivalry (also on view in her previous picture, My Effortless Brilliance). Duplass (from The Puffy Chair) and Leonard (a Blair Witch trekker) play this to the hilt, particularly in the gloriously uncomfortable climatic scene, when push, shall we say, is going to have to come to shove. Humpday was a Sundance breakout in 2009, coming out of nowhere (i.e., Seattle, Shelton's home base) and snagging a summer release. And why not? If the specific plot isn't exactly a universal experience, the movie's underlying anxieties certainly are. --Robert Horton

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The Marx Brothers Collection (A Night at The Opera/A Day at The Races/A Night in Casablanca/Room Service/At the Circus/Go West/The Big Store)

• Condition: New
• Format: DVD
• Box set; Black & White; DVD; NTSC

Studio: Uni Dist Corp. (summit) Release Date: 01/12/2010 Run time: 110 minutes Rating: RThe remarkable documentary Brothers at War begins with a simple premise: Jake Rademacher wants to understand the experience of his younger brothers Isaac and Joe, both serving in the American military in Iraq. What unfolds proves amazingly complex, fusing a troubled family history (another Rademacher brother died at home), wrenching interviews with wives and girlfriends left behind, and a startlingly unfiltered portrait of on-the-ground soldiers in the middle of a combat zone. Because the filmmaker is already part of these people's lives, he's able to capture a kind of emotional nakedness you don't often see; when Joe's girlfriend talks about how Joe's military service has changed him, a window opens into her life that's! almost uncomfortably intimate. Because of his relationship to one of their comrades, the soldiers in Iraq accept Jake in a completely different way than they'd respond to a typical journalist. They don't present a manicured image; Jake films them talking about why they're there, how they treat girls, shooting people (one soldier describes nearly shooting a child who was carrying a toy gun), and watching The O.C. Driven by sibling rivalry, Jake even puts himself in harm's way by going out on combat missions. Brothers at War doesn't have an ideology. Soldiers in the field defend each other out of personal solidarity, not abstract ideas; the same impulse drives this movie forward. It's unlike any other war documentary and can't be recommended strongly enough. --Bret FetzerBROTHERS AT WAR is Jerold S. Auerbach's probing and poignant exploration of the tragedy of the Altalena, the doomed ship whose arrival in Israel ignited Jewish fratricidal conflict only ! weeks after its declaration of statehood in 1948. The destruct! ion of t he Altalena, with sixteen of its fighters killed by Israeli soldiers in a bitter two-day battle, threatened the new nation with civil war. This is the first history of the Altalena by a historian and the first to locate it within the context of ancient Jewish and contemporary Israeli history. The Altalena remains embedded in Israeli memory, Auerbach suggests, still framing unresolved issues of political legitimacy and will in the Jewish state. This new book tells the story, and the present profound implications, of a moment in the birth of modern Israel that has angles and repercussions relevant to many issues today, in Israel and beyond.This set includes seven of only thirteen Marx Brothers films ever made! Collection includes: "A Night at the Opera" (1935) - The Marx Brothers turn Mrs. Claypool's opera into chaos in their efforts to help two young hopefuls get a break. It contains the famous scene where Groucho, Chico and Harpo cram a ship's stateroom with wall-to-! wall people, gags, one-liners, musical riffs and two hard-boiled eggs. "A Day at the Races" (1937) - Groucho stars as Hugo Z. Hackenbush, a horse veterinarian dispensing horse pills and quips with equal glee. Chico selling racing tips, Harpo destroying a piano to turn it into a harp and favorite foil actress Margaret Dumont make this thoroughbred comedy wall-to-wall hilarity. "A Night in Casablanca" (1946) - This parody of the Bogart/Bergman 1943 classic features the Nazis vs. the "nutsies" as the Marx Brothers foil Axis criminals when they find stolen jewels and paintings Nazis have hidden in a hotel. "Room Service"/"At the Circus" - These two films are combined on one disc to provide double doses of laughter. In "Room Service" (1938), Lucille Ball and Ann Miller provide comic co-star support while the Marx Brothers play producers trying to keep their show above water and a hotel room over their head. In "At the Circus" (1939) Groucho stars as professional shyster lawyer J! . Cheever Loophole in the middle of big-top bedlam as the boys! try to save the circus and look to Margaret Dumont for the money to do so. Groucho sings one of his famous songs, "Lydia the Tattooed Lady." "Go West"/"The Big Store" - Another Marx Brothers twin bill makes this a hilarious comedy "two-fer." In the first, the Marxmen "Go West" (1940) to the land of outlaws and Indians where the fun never stops and where they outwit a land grabber. In "The Big Store" (1941), Groucho plays Attorney Wolf J. Flywheel who with sidekick Wacky (Harpo) and bodyguard Ravelli (Chico) are investigating the shady dealings of a crooked department store owner. Bonus extras include commentary by Leonard Maltin.When it comes to long-awaited treats like The Marx Brothers Collection, you can never get too much of a good thing. These seven comedies can't compare to the sheer lunacy of the five classics (The Cocoanuts, Animal Crackers, Monkey Business, Horse Feathers, and Duck Soup) that the Marx Bros. made for Paramount betwe! en 1929 and 1933 (available in The Marx Brothers Silver Screen Collection), but when uber-producer Irving Thalberg signed Groucho, Harpo, and Chico to an MGM contract in 1935 (by which time sibling costar Zeppo had become the team's off-screen manager), he knew just how to cure their box-office blues. As a result, A Night at the Opera and A Day at the Races were critical and commercial hits, lavishly produced according to the "Tiffany" studio's golden-age formula of glamorous set pieces and musical numbers combined with sensible plots that smoothly integrated snappy, well-written Marxian antics. Opera is the jewel of this set, with timeless scenes (the Stateroom, the Groucho-Chico contract negotiation, etc.) that rank among the greatest bits of silver-screen comedy... not to mention Groucho's flirtatious insults at Margaret Dumont's upper-crust expense.

A Day at the Races deserves near-equal acclaim ("Get-a your tootsie-fruitsie ice cre! am!"), but Thalberg's death in 1937 dealt a devastating blow, ! and the Marxes suffered from studio indifference, resulting in a succession of comedies that are timelessly enjoyable even as they fall prey to diminishing returns. By the time they made Go West and The Big Store, the Marxes were out of their element, and a few of the musical interludes indulge racial stereotypes that were common in the studio era. Despite this, these movies remain fresh and frantic, and Warner Bros. (holder of the RKO and MGM libraries) has done a marvelous job of packaging The Marx Brothers Collection to nostalgically approximate the filmgoing experience of the 1930s and '40s, with vintage shorts (Our Gang, Robert Benchley comedies, MGM cartoons, etc.) from the time of each feature's original release. Archival materials are slim but worthwhile (especially Groucho's 1961 interview with TV talk-show host Hy Gardner), and while Glenn Mitchell's commentary on Races is sparse and superficial, Leonard Maltin brings his usual superfan's enthus! iasm and encyclopedic knowledge to bear on a full-length Opera commentary track. The new documentaries are somewhat redundant, but essential viewing for Marx Bros. neophytes. With all seven films presented in pristine condition, this is definitely a Marx Brothers Collection worth having. --Jeff Shannon

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Thomas And Friends Wooden Railway - Harold The Helicopter

• Handmade from REAL WOOD
• Moving propeller
• Durable paint job
• Realistic details
• Recommended Age Range 2 to 5 Years

All aboard the next stop along the learning curve . . . kids three and up will enjoy the magical adventures of the ever-popular Thomas and Friends Wooden Railway System. Featuring characters from the Thomas the Tank Engine & Friends video series and the Thomas and the Magic Railroad feature film now out on video, this system allows children to re-enact their favorite Thomas tales or create new adventures of their own. Besides encouraging imagination, wooden train-play helps kids develop motor and social skills. The Thomas Wooden Railway System is designed to grow along with kids' increasing skills, offering years of enjoyable play and new adventures around each and every bend.

Thomas and his friends bring personality and fun to woode! n train play. All aboard for adventure on the Island of Sodor! Good-hearted Harold brings welcome but noisy visits to the quiet Sodor landscape. For use with Thomas and Friends Wooden Railway System sets (sold separately).Kindhearted but noisy, Harold the Helicopter likes to drop in on the Island of Sodor to visit his railway friends. This 4-inch sturdy wood helicopter is white with a sleek red racing stripe above his name. With a rotating propeller and plastic landing pontoons, Harold is ready for action. Based on the popular Thomas the Tank Engine series by Reverend W. Awdry and the PBS television show Shining Time Station, this flying fellow is part of the much-loved wooden railway system, which is compatible with other magnetic train sets. You can reenact all the exciting stories in the series or make up new ones. Thomas fans won't want to miss out on any of these fun, well-built railway characters. --Emilie Coulter

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Alli Weight-Loss Aid, Orlistat 60mg Capsules, 120-Count Refill Pack

• Only FDA approved over-the- counter weight-loss aid
• Blocks absorption of 25% of consumed fat
• Undigested fat is excreted from the body instead of being turned into fat
• Alli users typically lose 50% more weight than people who use diet alone

In 1964, a brash new pro boxer, fresh from his olympic gold medal victory, explodes on to the scene, Cassius Clay. Bold and outspoken, he cuts an entirely new image for African American's in sport with his proud public self confidence with his unapologetic belief that he is the greatest boxer of all time. To his credit, he sets out to prove that with his highly agile and forceful style soon making him a formidable boxer who soon claims the heavyweight championship. His personal life is no less noteworthy with his allegiance to the Nation of Islam, his friendship with the controversial Malcolm X and his abandonment of his slave name! in favour of Muhammad Ali stirring up controversy. Yet, at the top of his game, both Ali's personal and professional lives face the ultimate test with the military draft rules are changed, making him eligible for military induction during the Vietnam War. Despite the fact that he could easily agree to a sweetheart deal that would have meant an easy tour of duty for himself, Ali refuses to submit on principle to cooperate in an unjust war for a racist nation that treated his people so poorly. The cost of that stand is high as he finds himself unable to legally box in his own country while his case is contested in court. What follows is a battle for a man who would sacrifice so much for what he believes in and a comeback that would cement his legend as one of the great sports figures of all time.Ali is a rush of charm, violence, and well-crafted mythmaking sure to enthrall. From the unforgettable surge of the opening--a 10-minute montage of sheer brilliance where form! ative scenes from the early life of Cassius Clay float along o! n the ra pture of a live performance by Sam Cooke in a Harlem nightclub--through to Muhammad Ali's departure for Zaire to fight George Foreman, Michael Mann's homage is mostly crisp and fleet-footed. As Clay/Ali, Will Smith acquits himself marvelously due in large part to his uncanny re-creation of Ali's most famous weapon, his mesmerizing voice. Indeed, the best scenes throughout showcase Ali's verbal rather than pugilistic sparring; whether with his entourage (notably Jamie Foxx), Howard Cosell (Jon Voight), or Don King (Mykelti Williamson), Michael Mann's Ali has the same authoritative wit and ability to surprise that so disarmed the public. The news conferences and behind-the-scenes banter are exquisitely re-created; not so Ali's flaws. Mann's attempt to depict Ali's womanizing, his dubious affiliation with the Nation of Islam, and his insatiable need for the spotlight seems halfhearted and laborious in comparison to the film's enlivened adoration of its subject. As the sluggish ! second half of the film betrays, Ali is at its impressionistic best when it's in awe rather than when it explains. --Fionn Meade ALI:DIRECTOR'S CUT - DVD MovieAli is a rush of charm, violence, and well-crafted mythmaking sure to enthrall. From the unforgettable surge of the opening--a 10-minute montage of sheer brilliance where formative scenes from the early life of Cassius Clay float along on the rapture of a live performance by Sam Cooke in a Harlem nightclub--through to Muhammad Ali's departure for Zaire to fight George Foreman, Michael Mann's homage is mostly crisp and fleet-footed. As Clay/Ali, Will Smith acquits himself marvelously due in large part to his uncanny re-creation of Ali's most famous weapon, his mesmerizing voice. Indeed, the best scenes throughout showcase Ali's verbal rather than pugilistic sparring; whether with his entourage (notably Jamie Foxx), Howard Cosell (Jon Voight), or Don King (Mykelti Williamson), Michael Mann's Ali has! the same authoritative wit and ability to surprise that so di! sarmed t he public. The news conferences and behind-the-scenes banter are exquisitely re-created; not so Ali's flaws. Mann's attempt to depict Ali's womanizing, his dubious affiliation with the Nation of Islam, and his insatiable need for the spotlight seems halfhearted and laborious in comparison to the film's enlivened adoration of its subject. As the sluggish second half of the film betrays, Ali is at its impressionistic best when it's in awe rather than when it explains. --Fionn Meade Studio: Lions Gate Home Ent. Release Date: 12/29/2009 Run time: 100 minutes Rating: RHe rocked the sport, shook the world, and changed their lives. Now, several decades after they met in the ring, ten of the sport's finest fighters tell what it was like to battle Muhammad Ali, the man many consider the best boxer ever. This brutally honest documentary recounts Ali's incomparable journey as seen through the eyes of those who stepped through the ropes and into history. Join these resp! ected fighters as they weigh in on "The Greatest" and pay tribute to a living legend in this powerful and unforgettable film.

alli is more than just a pill. It's an innovative we! ight los s program that works with you, not for you. alli can help you lose 50% more weight than dieting alone, but you have to do your part by changing the way you eat and live to see results. Is the hard work worth it? Yes. With alli you can achieve gradual and healthy weight loss. If you do your part, alli can teach you smart eating and activity habits you can follow for a lifetime.

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alli is a 60mg orlistat capsule. But it's more than just a pill. It's an innovative weight loss program that works with you, not for you. alli can help you lose 50% more weight than dieting alone, but you have to do your part by changing the way you eat. The alli program starts with your commitment to adopting healthy eating habits. It combines the only FDA approved, over-the-counter weigh! t loss product with an individually tailored support plan to h! elp you achieve gradual and healthy weight loss. When you take alli along with a reduced-calorie, low-fat diet, you can lose 50% more weight than dieting alone. For example, instead of losing 10 pounds with diet alone, you can lose 15 pounds with the alli program. alli is safe - it works in your digestive system, not in your heart or brain. It will not cause jitters, sleeplessness, or a racing heart. You can't just try alli - you have to commit to it. More information can be found at myalli.com, where you can also talk to alli users, registered dietitians, pharmacists, and fitness experts on the alli message board. Or talk to your doctor, pharmacist, or dietitian to help determine if you're ready.
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Typically, enzymes in your intestines break down fat from food so your body can absorb the fat. But the active ingredient in alli attaches to some of these enzymes and prevents them from digesting about a quarter of the fat you eat. Because undigested fat can't be absorbed, it passes out of your body instead of turning into calories. The main side effect occurs when you eat a meal with too much fat while taking alli. If so much fat is blocked that your stool can't absorb it, you might have side effects. Because they are not harmful, we call them "treatment effects." These include loose or more frequent stools, an urgent need to go to the bathroom, or gas with an oily discharge. The excess fat that passes out of your body is in no way harmful. In fact, you may recognize it as something that looks like the oil on top of a pizza. Treatment effects can be lessened if you stick to reduced-calorie, low-fat meals that average 15 grams of fat per meal. Don't use alli if you are pregnant or breastfeeding, if you have had an organ transplant, or if you are taking cyclo! sporine. Do not take alli if you are allergic to any of the ingredients in alli capsules. Ask a doctor before using alli if you are taking warfarin. Do not take alli if you are not overweight. You can take up to three alli capsules per day, one with each meal containing fat. Take a multivitamin daily while taking alli capsules to ensure adequate absorption of vitamins A, D, E, K, and beta carotene.
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Losing weight is easier with support. That's why the alli program includes an individually tailored online plan called myalliplan. myalliplan offers free individualized support and was developed by nutritional and weight management experts who understand the struggle to lose weight. When you register with myalliplan, you receive: A customized online action plan. Personalized emails that deliver lessons about meal planning, managing hunger, dealing with setbacks, and making food a! nd lifestyle changes to help you succeed. Menus and shopping lists. Online tools to record your progress. Connection to a network of other alli users. You may have a better chance of success when you enroll in a customized, interactive support plan. If you decide that you're ready to commit to the alli program, purchase the alli starter pack. This package contains portable reference guides to help you follow the alli program. The starter pack also includes a carrying case, called the alli Shuttle, to make it easy to take your alli capsules with you. The in-pack guides, together with myalliplan! , deliver the support to help you reach your weight loss goals! , and te ach you how to eat healthy for a lifetime.
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Losing weight doesn't have to be a bland, tasteless affair. With help from the alli program, you can learn how to create healthy and flavorful meals. So instead of that high-calorie, high-fat cheeseburger, try a ju! icy turkey burger that's loaded with flavor and low in fat.

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Glory Road (Widescreen Edition)

• Very Black

COACH CARTER tells the inspiring true story of controversial high school basketball coach Ken Carter (Jackson). Making headlines for his emphasis on the importance of academics over athletics, Carter requests all the members of the team to sign contracts, promising to maintain a certain grade point average. When the players fail to live up to this agreement, Carter benches the entire team, locking the gym and forfeiting games to prove his point. This infuriates the community who sees this as a hindrance to the future professional athletic careers of the players. Through hard work and dedication, Carter eventually gets his point across to his team and the community, going above and beyond to ensure a solid academic future for his team.Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser hold! s together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry! ).--Steve WieckingCOACH CARTER tells the inspiring true! story o f controversial high school basketball coach Ken Carter (Jackson). Making headlines for his emphasis on the importance of academics over athletics, Carter requests all the members of the team to sign contracts, promising to maintain a certain grade point average. When the players fail to live up to this agreement, Carter benches the entire team, locking the gym and forfeiting games to prove his point. This infuriates the community who sees this as a hindrance to the future professional athletic careers of the players. Through hard work and dedication, Carter eventually gets his point across to his team and the community, going above and beyond to ensure a solid academic future for his team.Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes li! ke, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry).--Steve WieckingAcademy Award nominee Samuel L. Jackson stars in the inspiring true story of controversial high school basketball c! oach Ken Carter, who benched his entire undefeated team for po! or acade mic performance, in order to teach his players the importance of education.Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing,! adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry).--Steve WieckingThe studio that brought you REMEMBER THE TITANS now delivers another winner with this exciting and inspirational true story of the team that changed college basketball -- and the nation -- forever! Josh Lucas (SWEET HOME ALABAMA) stars as future Hall of Fame coach Don Haskins of tiny Texas Western University, who bucks convention by simply starting the best players he can find: history's first all-African American lineup. In a turbulent time of social and political change, their unlikely success sends shock waves through the sport that follow the underdog Miners all the way to an epic showdown with all-white, #1 ranked Kentucky for the National Championship!One of the greatest basketball games in NCAA history is immortalized in Gl! ory Road, an engaging sports movie that dramatizes a pivot! al miles tone in the racial integration of college athletics. While it may not be as rousing as similar movies like Hoosiers or Friday Night Lights, this fact-based drama gains depth and substance from the groundbreaking achievement of Don Haskins (well-played by Josh Lucas), who coached the 1965-66 team from Texas Western University to the NCAA championship, using the first-ever all-black lineup in the championship game and forever changing the rules of college basketball. Texas Western's underdog season is followed from anxious start to glorious finish, as Haskins recruits many of his black star players from the North, including Bobby Joe Hill (Derek Luke) and Willie Cager (Damaine Radcliff), and this typically wholesome Disney film doesn't flinch from the harsh realities of racial tension (including player beatings and vandalized motel rooms) that Texas Western's black players had to struggle against as their victories began to draw national attention. Jon Voight (un! der heavy makeup) makes a memorable cameo appearance as legendary Kentucky coach Adolph Rupp, whose favored all-white team was no match for Texas Western, and Haskins' unforgettable achievement is celebrated in an end-credits sequence that demonstrates the positive ripple-effect of his color-blind coaching. Glory Road relies a bit too heavily on sports-movie clichés, but its shortcomings are easily overlooked in favor of its greater historical significance. --Jeff Shannon

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Himalaya Herbal Healthcare LiverCare/Liv.52, Liver Support

• LiverCare® Key Ingredients: Caper Bush, Chicory, Black Nightshade, Arjuna, Yarrow, Tamarisk
• 182 published clinical trials
• On the market since 1955
• The world�s number one liver support formula
• Supports normal liver function in many different ways

LiverCare® Econo (internationally known as Liv.52® Econo) � 180 Vcaps � The world�s number one liver support formula, clinically proven in 182 published clinical trials. LiverCare/Liv.52 supports healthy liver enzyme levels and the liver�s ability to regenerate itself. It also supports the liver in functions relating to nutritional status, such as the liver�s normal ability to burn fat and help support the body�s metabolic processes. LiverCare/Liv.52 also eliminates acetaldehyde, the toxic by-product of alcohol intake. Developed in 1955. Key ingredients include Caper Bush, Chicory, Black Nightshade, Arj! una, Yarrow and Tamarisk. �LiverCare/Liv.52 keeps pace with every clock in the world. One unit is bought somewhere every single second.� �BBC World. Also available in liquid form. (These statements have not been evaluated by the FDA. This product is not intended to diagnose, treat, cure or prevent any disease). Still family owned, Himalaya Herbal Healthcare has been in existence for 77 years and is now available in 76 countries. With an 80,000 sq. ft. R&D facility and more than 100 physicians and scientists on staff, over 20 billion tablets and Vcaps are produced each year in GMP facilities. One Himalaya product is bought every quarter of a second somewhere in the world. Herbs are grown on over 700 acres of organic farmland and 1,112 clinical trials have been published on Himalaya products.

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Funny People (Two-Disc Unrated Collector's Edition)

• Actors: Adam Sandler, Seth Rogen, Leslie Mann, Eric Bana, Jason Schwartzman.
• Format: AC-3, Color, Dolby, Dubbed, DVD, Special Edition, Subtitled, Widescreen, NTSC.
• Language: English. Subtitles: English, French, Spanish.
• Region: Region 1 (U.S. and Canada only).
• Run Time: 146 minutes. Not Rated.

Adam Sandler, Seth Rogen and Leslie Mann star in this seriously funny film from writer-director Judd Apatow (The 40-Year-Old Virgin and Knocked Up). When famous comedian George Simmons (Sandler) is given a second chance at a new beginning, he and his assistant, a struggling comedian, Ira (Rogen), return to the places and people that matter most…including the stand-up spots that gave him his start and the girl that got away (Mann). Co-starring Jonah Hill, Eric Bana and Jason Schwartzman, it’s the film critics cheer is “uproariously funny!” (Sonny Bunch, The! Washington Times)Funny People pulls off quite a feat: it examines the sources of comedy and manages to be knockout funny. Adam Sandler plays George Simmons, a successful comedian of Adam Sandler proportions who is diagnosed with a fatal blood disease. Faced with impending death, he recognizes that he has no friends and decides to make a best friend out of an aspiring young comedian named Ira (Seth Rogen, Knocked Up). This lopsided relationship gradually takes on aspects of true friendship as Ira forces George to try to reconnect with the people in his life, including his ex-girlfriend Laura (Leslie Mann, 17 Again). But forging real relationships conflicts with all the impulses that feed George’s comedy: can he truly re-create his life? Funny People has enough raw, no-inhibitions comedy to satisfy Sandler fans, but the core of the movie is far more complex and compelling--and significantly, Sandler rises to it. He, Rogen, and Mann all de! liver superb performances, as does the supporting cast (includ! ing Jona h Hill, Superbad; Jason Schwartzman, Rushmore; and Eric Bana, Munich). Funny People fits into the ranks of such classics as Hannah and Her Sisters andTerms of Endearment: movies that blend sadness and joy into a vibrant picture of life. --Bret FetzerAdam Sandler, Seth Rogen and Leslie Mann star in this seriously funny film from writer-director Judd Apatow (The 40-Year-Old Virgin and Knocked Up). When famous comedian George Simmons (Sandler) is given a second chance at a new beginning, he and his assistant, a struggling comedian, Ira (Rogen), return to the places and people that matter most…including the stand-up spots that gave him his start and the girl that got away (Mann). Co-starring Jonah Hill, Eric Bana and Jason Schwartzman, it’s the film critics cheer is “uproariously funny!” (Sonny Bunch, The Washington Times)Funny People pulls off quite a feat: it examines the sources of comedy and manages to b! e knockout funny. Adam Sandler plays George Simmons, a successful comedian of Adam Sandler proportions who is diagnosed with a fatal blood disease. Faced with impending death, he recognizes that he has no friends and decides to make a best friend out of an aspiring young comedian named Ira (Seth Rogen, Knocked Up). This lopsided relationship gradually takes on aspects of true friendship as Ira forces George to try to reconnect with the people in his life, including his ex-girlfriend Laura (Leslie Mann, 17 Again). But forging real relationships conflicts with all the impulses that feed George’s comedy: can he truly re-create his life? Funny People has enough raw, no-inhibitions comedy to satisfy Sandler fans, but the core of the movie is far more complex and compelling--and significantly, Sandler rises to it. He, Rogen, and Mann all deliver superb performances, as does the supporting cast (including Jonah Hill, Superbad; Jason Schwartzman, Ru! shmore; and Eric Bana, Munich). Funny People! fits i nto the ranks of such classics as Hannah and Her Sisters andTerms of Endearment: movies that blend sadness and joy into a vibrant picture of life. --Bret FetzerAdam Sandler, Seth Rogen and Leslie Mann star in this seriously funny film from writer-director Judd Apatow (The 40-Year-Old Virgin and Knocked Up). When famous comedian George Simmons (Sandler) is given a second chance at a new beginning, he and his assistant, a struggling comedian, Ira (Rogen), return to the places and people that matter most…including the stand-up spots that gave him his start and the girl that got away (Mann). Co-starring Jonah Hill, Eric Bana and Jason Schwartzman, it’s the film critics cheer is “uproariously funny!” (Sonny Bunch, The Washington Times)Funny People pulls off quite a feat: it examines the sources of comedy and manages to be knockout funny. Adam Sandler plays George Simmons, a successful comedian of Adam Sandler proportions who is diagnosed! with a fatal blood disease. Faced with impending death, he recognizes that he has no friends and decides to make a best friend out of an aspiring young comedian named Ira (Seth Rogen, Knocked Up). This lopsided relationship gradually takes on aspects of true friendship as Ira forces George to try to reconnect with the people in his life, including his ex-girlfriend Laura (Leslie Mann, 17 Again). But forging real relationships conflicts with all the impulses that feed George’s comedy: can he truly re-create his life? Funny People has enough raw, no-inhibitions comedy to satisfy Sandler fans, but the core of the movie is far more complex and compelling--and significantly, Sandler rises to it. He, Rogen, and Mann all deliver superb performances, as does the supporting cast (including Jonah Hill, Superbad; Jason Schwartzman, Rushmore; and Eric Bana, Munich). Funny People fits into the ranks of such classics as Hannah and H! er Sisters andTerms of Endearment: movies that blen! d sadnes s and joy into a vibrant picture of life. --Bret Fetzer

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